From here you can navigate to all my offerings for Morale Fiber – independent fiber artist and crochet pattern designer 🙂 (For more on who I am, see my About Page!) I created this post to make finding what you’re looking for easier. Let’s start with everyone’s favorite:
The Free Patterns page is a running list of all the free crochet patterns, and they are all available published here for easy viewing- No extra downloads, sign-ups, or anything 😉 I also have a page for my Crochet Tutorials!
As a self-publishing artist I make most of my income from sales of my PDF crochet patterns through Ravelry and Etsy. If you really want to support what I do, check out my running list of crochet designs available as downloadable, printable, ad-free PDFs!
If you have questions about any of the patterns I offer, I respond to messages regularly and would love to help! You can contact me here easily by leaving a comment on the page linked below, or contact me directly via any of my social media channels.
I really couldn’t come up with a better title than that, despite the fact that I’m excited about how my latest sewing ventures came out! I take a break from crocheting occasionally to create garments on my sewing machine and serger – I love patchy pieces using upcycled garments and fabrics, and these two projects I have today fall into that category, as well as both being hand-dyed by yours truly. I finished both projects over the winter, and managed to tolerate sub-freezing temps to get a picture of them outdoors where the light was decent! Here’s my latest sewing, I’m sure you’ll see the gown at least one more time because I have a crochet design in mind to go with it later this year (hopefully).
My stash of to-destroy thrifted clothing are mostly castoffs from my wardrobe, things that didn’t fit quite right but still had nice natural fabric or an interesting quality I wanted to create with.
For this rag gown, I saved up a linen sundress and a linen skirt, a cotton machine lace tank top, and a small vest of the same kind, and dyed it all along with some spare lengths of cotton plain weave and cotton blend knit jersey. They stewed in a big tub with hastily splashed greens, and the dye took in a beautiful mottled way that I tend to favor over traditional patterned tie dyes or evenly distributed solids ❤
From there I laid them out with a rough plan of how to splice, cutting slits into the sundress for gores made out of long wedges of the skirt. The bottom edge was left rough as the mismatching lengths were sewn in, then I trimmed the fabric leaving peaks where the added length was longer.
This fixed the weird tubular issue the sundress had to make it more flatteringly shaped. The inside slip needed lengthened, so the plain weave cotton got stitched into the premade insert peeking out from below for a permanently layered look. Both hems got some or all the way covered in ruffles I made from the remaining cotton weave!
Next I wanted to adjust the bodice, which was a little puffy in some places and a bit too short of line visually. I cut bits and pieces of the machine laced tops to create a front panel featuring some of the bolder designs and edged it in the lace strips, bordering the sides and flowing around to the zip fastening in the back.
I did consider replacing the zipper with a criss-cross tie back, but at this point my experimentation courage had been used up! My rag gown was looking better than I had any expectation of, and I was happy with this piece enough to end my first foray into this kind of design. A few fabrics didn’t get used or used all the way, and I have ideas for future rag gowns so we’ll just have to save some tricks for later 😉
I’m pretty fond of this sewing pattern for Wendy Kay’s No-Gathers Skirt, which I purchased from her Etsy shop years ago and I’ve had plenty of use from! I’m not sure how many I’ve made but it’s over a handful, and I’ve always wanted to try dyeing one myself. These are perfect with scraps of affordably priced quilting cotton, which I either inherit from friends’ relatives or purchase myself in the discount remnant bins of the hobby stores.
Determined to use up my stash, I had bits and pieces of other skirts left, plus a lot of fabric that had a color I didn’t favor. I decided to use all the fabric I had, and then overdye the resulting garment in hopes that it would tie the non-matching colors together.
It worked pretty well! I love the rich purple and maroon that I custom mixed from my dyes, and the gold embossing on some of the fabrics really shines against that dark background.
Of course, having busted my stash of quilting cottons down, I’m encouraged by the success of dyeing these skirts and will probably pretty quickly rebuild said patchwork stash 😉
I love experimenting and exploring with fiber art and apparel, and the fact that I get to twirl around while doing so is no small incentive 😉
‘Round about this time every winter my wandering creative eye starts to fixate on my spinning stash, as the cold and unpleasant weather of the Midwest drives me toward indoor activities that will relieve my mounting cabin fever. Besides spinning wool into crazy art yarns, I also hand dye wool rovings myself using professional acid dyes or experimenting with natural & botanical eco dyeing.
This year, my dye cabinet really needed to be worked through – I had POUNDS of wools stuffed in there waiting to be painted, and jars of dye I hadn’t even cracked open yet. On top of that whole situation, another imminent move (I’m a roving artist, myself – har har) meant that I really needed to downsize.
So in I dove, resolved to color all of the wool that I had laying around and produce a stash of things I could spin for years to come. 10-12 hours of labor and days of setting and drying time later, I had an extremely pretty and earthy toned woolen rainbow to cuddle.
But after that massive batch of acid dyeing, I decided I wasn’t done yet. I saved back about a half pound of wool because I had last summer’s reject elderberries sitting in my freezer, preserved with the intent to commit eco-dye.
In the past I’ve created my own botanical & food based natural dyes out of tea, coffee, turmeric, pokeberry, black walnut, and avocado – as well as trying out some commercial botanical dyes – and had mixed results. Usually it’s quite hard to get the homemade natural dyes strong enough to get good color and to mordant the fiber properly to get the color to stick. Still I get tempted because I’m a mad fiber scientist at heart!
In the late summer when we harvested 15-20 pounds of wild elderberries to make syrup and jelly, I discovered that while rinsing our little treasures the overripe and underripe berries tended to float to the top of the rinse water, making them easy to scoop out leaving the plump, juicy berries sunken at the bottom. I saved back all these rejects knowing at some point I’d try to dye with them, the perfect solution to not wasting pounds of harvest.
The dye process was quick, and I used this excellent post from Woollenflower to guide me. After a mordanting soak during which I boiled down my frozen berries, I drained the wool and put the dye berries through a cheesecloth sieve to separate off the liquid. The wool roving went into quart canning jars, each portioned with citric acid and elderberry juice, and I popped them into the canner to steam for about an hour. After the heat was applied, I let them cool overnight.
While most of the dye rinsed out, I’m still very happy with the gorgeous muted purples and pinks that appeared! Elderberry is particularly sensitive to pH levels, and I aimed to created a mottled effect with some alkaline color and some acidic color on the rovings – it’s hard to tell because none of my picture taking equipment captures these subtle tones in natural light, but I’m pleased with the result 🙂
I don’t expect a ton of colorfastness from this batch, so I’ll probably reserve this wool for creating a wall hanging, as I did with some of my Avocado dyed wool – an indoor decoration is the perfect solution to delicately dyed natural fibers which tend to fade in sunlight or with multiple washings.
I can’t stop looking at this gorgeous woolen rainbow, which I’ve had strung along my photo backdrop curtain string for weeks at this point just because it’s too dang pretty all displayed together like that 😉 But today I’ll pack it all away, now that my last stash of undyed wool is colored. I successfully cleaned out my to-dye-for wool stash, but now where do I put all the dyed wool??? Ha!
Almost all of my dyes, mordants, and dyeable wools come from Dharma Trading Co., a USA based tie-dye and fiber art supply company, and I highly recommend them for their products, free resources, and customer service!
Despite the absolute buttload of snow that just got dumped upon my Midwestern home, I’ve already turned my mind to thinking about the magic of spring in the forest, getting excited for hikes on the not-yet-overgrown woodland trails to search for harbingers-of-spring, bones, feathers and other treasures waiting for the wild-minded.
This means it’s fingerless gloves time! I love fingerless mitts because I need to touch absolutely everything when I’m adventuring, from swaths of soft moss to frosty crags in the tree bark. That’s why I’ve designed several free patterns on this blog in years past for just such a thing – easy fast crochet projects that are practical to me and also useful for using up spare skeins of pretty yarn! I thought this year I’d spruce up these posts a bit, adding new bright photography, more tutorial photos, and checking to make sure my instructions are of sound quality.
In the process I also wanted to offer a PDF file option for both the Rambler’s Mitts and Basic Armwarmers designs, so I combined the two into one awesome PDF crochet pattern document – read on for more details about what’s in this new downloadable, printable, ad-free offering, or go directly to my Etsy Shop or Ravelry Store to purchase! You can also still access the free versions by following the links on the design names at the beginning of this paragraph 🙂
Rambler’s Mitts & Armwarmers
The Rambler’s Mitts and Armwarmers pattern combines some of my classic fingerless gloves designs all in one convenient PDF file!
The Basic Armwarmers are almost-elbow length straight fingerless gloves which include instructions for two styles, one made with #4 worsted weight yarn and one made with #5 bulky weight yarn, each with it’s own specific written instructions, and stitch counts. The Armwarmers design also includes a photo guide and written tutorial for customizing your own gauge and sizing if you wish to alter the fit of your pair. My favorite features of this design are the continuous round construction that eliminates the visible joining seam and the unique thumb opening, which creates a more contoured fit at the base of the thumb.
The second design included in this bundle is the Rambler’s Mitts, a wrist-length pair of fingerless cuffs featuring post stitches and single crochet worked in #5 bulky weight yarn with a cozy thumb covering. These quick and easy mitts are perfect for woodland ramblings, and my pairs have been an instant go-to in my closet for years!
Clear tutorial photos and detailed written instructions are included as well as links to the FREE tutorial post stitching – making this design bundle a perfect way to start crocheting your own stash of these popular and colorful winter accessories!
Materials (ARMWARMERS) 200-300 yds #4 or #5 weight yarn (1 pair of the Rainbow warmers shown are made with Yarn Bee Glowing, #4 weight – 198 yards, 1 skein. The Copper/Olive/Turquoise pair is made with Lion Brand Landscapes, #4 weight, 147 yds – 2 skeins) Yarn amounts are variable depending on weight and size made. 5.00 mm hook Scissors, tapestry needle 2 Stitch Markers
Stitches / Abbreviations Chain (ch) Single Crochet (sc) Half Double Crochet (hdc) Double Crochet (dc) Slip stitch (sl st) Skip (sk) Each (ea) Round (rnd) Front post half double crochet (fphdc) Back post half double crochet (bphdc)
Language: English All instructions are in US crochet terminology.
Thanks so much for checking out this new publishing – as an independent fiber artist and crochet designer, sales of purchasable PDF patterns make up the bulk of my income – you can find tons more premium crochet patterns all in one spot by visiting my Paid Patterns page here.
I also make a small amount from website visits, so if you’re not in the market for paid patterns please do check out my Free Pattern offerings! A lot of my paid patterns are also available for free – This is because I really value accessibility and love to share my craft, so offering for free on my website helps both you & me! If you don’t want or need to get paid patterns, I also have a Tip Jar available where you can securely donate any amount to go toward the maintenance of my website & business 🙂 ❤
Acorns are easily one of the cutest things produced by trees. Their little round nutshells topped with a perfectly fitted cap, textured in minute detail, forcibly remind me of a wee head wearing a jaunty beret style hat – and I’m certainly not the first to try to recreate such a garment inspired by this adorable thing!
So when I set out to crochet an acorn-inspired hat, I wanted lots of texture and whimsy in the final design, something that would evoke the acorn while still capturing a spirit of otherness; something the little folk of the drawings of Cicely Mary Barker might want to adorn themselves with 🙂
Of course, I immediately set my mind on the crocodile stitch for this purpose. Though this stitch is an advanced one, I love it for the sense of magic it imparts to any crochet piece and that’s why I’ve created several patterns featuring this stitch already. The crocodile stitch is a special type of post stitching, so if you’ve never encountered post stitches, I’ve written a free Post Stitch tutorial right here on my blog! I do go over the crocodile stitch as well in this post 😉
So today I’m very excited to introduce the Oak Sprite Hat, an adult-sized acorn hat / beret design which features crocodile stitch worked in rounds from center to brim, edged with simple half double crochets and topped with the cutest little acorn cap stem. I also include a few notes on how to make this hat smaller for truly wee heads!
The pattern is available both for FREE as a video crochet tutorial series and as a paid PDF file in my Etsy Shop and Ravelry Store! Keep scrolling for the free crochet tutorial and videos or support my art directly by buying the PDF at the links above!
I worked several of these hats to finalize the crochet pattern, and while in the process I debated about whether or not to make the crocodile stitches point downward, as the scales do on an actual acorn cap, but in the end I remembered that primary rule from taking art classes in college – suggest, rather than tell. The hat’s acorn-ness isn’t really compromised by this detail, and besides – I really just liked them better pointing upward. This way the green version reminded me of a thistle blossom, which I accented by adding a bright pink poofball!
For those wondering, I don’t currently have plans to do a version of this myself with the croc stitches pointing downward, although it can be done – if you’re interested in trying it, it would work from the brim toward the center, and use decreases rather than increases. I may be so bold as to suggest investing in my Sylphie Hat Pattern, which works the croc stitches in that direction, to get familiar with that method 🙂
Anywho, Here are all the details of the pattern you need to make this must-have woodland accessory, and below you’ll find the three-part video tutorial series for working the Oak Sprite Hat. If you like this video I do have more on my YouTube channel, check it out if you like and thanks for visiting – clicks, shares, tags, tip jar donations, and pattern purchases are my livelihood and I am eternally grateful for my kind and generous audience (YOU) that makes it all possible! ❤ ❤
Oak Sprite Hat
5.00 mm hook – or size needed to obtain gauge
#4 weight yarn – listed below are the specific yarns used to make each hat. Recommended yarn is Caron Simply Soft. Scissors, tapestry needle
Finished Measurements: 23″ circumference for brim 33″ circumference for widest part of crown 7-8″ tall from tip to brim (not including stem)
Notes: Hat can be made a smaller overall size by skipping the final round of increases (Round 5) leaving the total number of croc stitches at 12. 12 croc stitches is ~16” circumference, or baby/child size. In this case you’ll want to work the brim at 48 stitches, without the decreases, unless decreases are necessary for the size being made. Hat can also be made a bit shorter by skipping one or two of the final rounds of non-increasing. 5 rounds are written in the pattern but 4 or even 3 can be done instead. There is a note in the written pattern where this is optional! 😊
Stitches & Abbreviations
Chain (ch) Double Crochet (dc) Slip Stitch (sl st) Half Double Crochet (hdc) Half Double Crochet 2 Together (hdc2tog, a decrease) Single Crochet (sc) Magic Ring (MR): A method of starting a circle with a tight center by working the first round of stitches into a yarn loop, then pulling the yarn tail tight to adjust the loop. Back Post Half Double (bphdc): Working the stitch into the post of the stitch below, inserting the hook from the back, around the post in the front, and re-emerging to catch the yarn in the back.
Special Stitches: Picot: Picot is made by chaining 3 stitches, then slip stitching in the top of the last dc made to form a small loop. I use the two front loops of the last dc to work the slip stitch into. Picots are made in place of the normal ch-1 that occurs in the middle of a croc stitch scale to create the Picot Croc Stitch.
Picot Croc Stitch (PCS): A crocodile stitch with a picot in the middle in place of the normal ch-1.
Crocodile Stitch (croc stitch/st): This is a type of crochet stitch that creates a 3-D effect of a petal or scale. The croc stitch is a special style of post stitching.
It works by creating an underlying framework of alternating “single” (1) dc and “paired” (2) dc sets, separated by a ch-1.
Pictured above is the framework for a row of croc stitches. Once this row is created, the croc stitches are worked across the same row, overlapping.
Crocodile stitches are a type of post stitch, meaning that the hook is inserted around the main body of the stitch instead of the top two loops as normal. The stitch is then worked around the “post”, meaning that the space underneath the stitch is used and the body of the stitch holds the actual stitches. This is an advanced stitch and does take some getting used to as well as adjusting direction and hold of the fabric to achieve.
Croc stitches have 5 dc worked (from the top of the dc down to the bottom) into the post of the first dc of the paired set of dc, then a chain (or in this case picot) is made, before switching directions and working 5 more dc into the next dc of the paired set, working from the bottom of the stitch to the top. Each scale is secured by working a slip stitch into the next singly standing dc before moving on to the next scale.
Pictured above is the direction of post stitches worked to form the crocodile scale (for right-handers, this will be reversed for lefties)
Once a row/round of crocodile stitches is complete, the next row/round will build another framework for the next layer of croc stitches by working the alternating single (1) dc and paired (2) dc into the previous stitches:
Above picture illustrates how the framework for the next row of croc stitches is placed. Each paired dc is worked into the single dc which lies below, which is referred to as the space or stitch between scales. Each singly standing dc is worked into the middle space of the scale below, between the paired doubles underneath.
This pattern works Picot Croc Stitches (PCS) in the round, starting from the center of the hat. To achieve this, we will be working PCS increases, which means that the framework of the rounds will sometimes place 2 sets of paired dc in the same st between scales, each set separated by a ch-1 on either side and a singly standing dc in the middle. This sets us up to work 2 croc stitches in that space.
Pictured above is the croc stitch increase framework: (2 dc, ch 1, 1 dc, ch 1, 2 dc) in the same st.
Oak Sprite Hat Video Tutorial Part 1
Video Tutorial Part 2
Video Tutorial Part 3
I hope you found this pattern to be helpful and interesting, and are inspired to create lots of clever pixie adornments for your friends and family! If you’ve caught the crocodile stitch bug like I have, here are some other patterns I offer that feature this stitch:
Or, how about woodland and creature themed accessories in general?
If right now you’re asking, “Is she trying to draw me deeper into a fantastical crochet forest from whence I shall never return?” the answer is yes 🙂
One of my secret disappointments in life is knowing that no matter how fast I work, I’ll never make all the projects I want to. This is mostly because I want to make practically everything! There are so many talented designers coming up with beautiful things and it’s all accessible via the deep magic of the web.
Most of my time is spent maintaining Morale Fiber, crocheting, answering e-mails, designing – and so I don’t get to take much time out to make other people’s patterns, but I keep a hearty collection of ideas and other patterns via Ravelry, Etsy, and Pinterest! So when the members of the Magic Fantastic Crochet Atelier frequently asked after an Elf Coat style sweater that wasn’t in Tunisian crochet, I was ready to do another pattern gallery for easy searching. It’s my great pleasure to unveil the Magical Coat Collection today ❤
Below you’ll find all the magical style crochet coat patterns (most of them AREN’T TUNISIAN) I’ve loved over the years, along with a bit of information on each and links to the pages where they can be purchased – Enjoy ❤
Magical Coat Collection
Serged Dream Coat by Stephanie Pokorny of Crochetverse: This amazing sweater coat shares the same inspiration source as my Elf Coat, the wonderful recycled sweater work of Katwise! This gorgeous coat is made in easy half double crochet stitches and features an Easy Fit size and pattern changes for up to 3X size, and Stephanie’s gallery of examples is (as usual) incredibly colorful, unique and inspiring. Just try to look at this coat without dreaming up your own amazing color scheme to try – bet you can’t!
2. Titania Pixie Jacket by Efilly Designs I absolutely adore this fittingly named Pixie Jacket, which features regular crochet stitches (not Tunisian) and creates a tailored bodice and an flattering cinched waist. The adorable short skirt really tops off this enchanting piece! Sizes come in Small – XLarge ❤
3. Glenda’s Hooded Cardigan by Glenda Bohard-Avila This one has been around for a while, long enough for me to have actually managed to make it! This lovely one-size crochet pattern features simple, clear instructions and notes for how to modify the garment to create different sizes. Worked in regular double crochet. I loved making this in a sleeveless rainbow version and the buyer was thrilled with the result 🙂 Great for beginners and those who want a magical look without all the complicated seams.
4. Boreal Coat by Sylvie Damie This coat is the perfect option for a magical coat with lots of impact but few seams or piecing together! Worked in regular double crochet, this is a top-down one piece crochet coat aptly named for it’s lovely waves of color in the original example. I’ve admired this one for years! Available in sizes XS-XL.
5. Pixie Coat Tutorial by Earth Tricks A long-time favorite designer of mine, Earth Tricks uses measurement-based tutorial writing to explain how to create your own magical, unique pixie coat in regular double crochet! Rather than using set stitch counts, this is a more free-style explanation of how to work this design based on gauge and measurements, so it’s fantastic for more seasoned crocheters who want something flexible and inspiring to create! I just love all her examples on the Ravelry page ❤ ❤
6. Open Spaces Coat by Sylvie Damie Another from this prolific designer! I couldn’t resist the chain length spaces put in this coat to give it a lovely magic profile and lots of swing – all while using super bulky yarn making it very quick to crochet! Worked in regular double crochet, and available in sizes XS-XL.
7. Mountain Magic Cardigan by ColoradoShire This fancy fantastical longline cardigan uses regular single and double crochet, plus edging the garment in beautiful crocodile stitch scales. Croc stitch is a particular favorite of mine so I immediately added this design to my list – great for intermediate crocheters looking for something simple, fun, and different. Sizes Small – XL and worked in easy to get #4 weight yarn.
8. Priestess Coat by Morale Fiber My newest Tunisian Coat design features Tunisian simple stitch (the easiest one to learn!) and an overall construction that’s just a *bit* less fussy than my Elf Coat. This robe-style coat is worked in Lion Brand Shawl in a Ball, a lightweight #4 yarn available in dreamy colors, with optional faux fur trim and a rounded-back hood for those that don’t care for the pointed hoods. This coat is a great option if you want to learn Tunisian but find the Elf Coat pattern too daunting to start with – and it’s available in sizes XS- 2XL!
9. Flower of Life Oversize Hooded Jacket by Jen Xerri (Starlily Creations) Squee! You know I just HAD to feature a Starlily creation in this collection, as she’s one of the fastest growing crochet influencers out there and just an incredibly sweet person to boot. This jacket pattern is another that I actually own in my pattern collection – I haven’t worked it fully yet but I’ve looked through it as a reference and it’s very well written and clear with lovely tutorial photos! The Flower of Life design is another great pattern worked with regular non-tunisian stitches (it’s easier than it looks!) and the central back motif is surrounded by rounds of interesting but not too complex stitch patterns! Sizing is flexible, garment is oversized or undersized to create a jacket or a vest ❤
10. Elf Coat by Morale Fiber (also available for free right here on this blog) Ok, both of my contributions to this list have been Tunisian crochet (the rest aren’t though!!) when I created this list specifically for those inquiring about non-tunisian magical coat patterns BUT! I did need to include the original design of mine that inspired this post, and here’s my plea: If you are daunted by learning Tunisian Crochet, check out my YouTube Playlist containing all the videos of the techniques needed to learn to make this Elf Coat. I know it’s a lot different than regular crochet, but Tunisian is a great skill to add and in my opinion, it’s a super unique and amazing stitch style that absolutely can’t be mimicked either in regular crochet or even in knitting (which it can look so very much like that it fools actual knitters). I know you can to buy a special hook and everything, but perhaps you’d like to just try it out using my clever wine cork stopper rig? That way, you can try it without buying any special equipment! This pattern currently comes in sizes Small, Medium, and Large – but I will be working on a Plus Sizes expansion as soon as I can 🙂
I hope you found this list of designs both helpful and inspiring, and please consider purchasing some of these designs to support the people who created them so they can keep making awesome stuff. Happy Magicking!
True to form, I’ve circled back around to reworking an older design at almost the exact anniversary of it’s original release. Five years ago in January I released the Boho Fringe Poncho as my tenth paid pattern. Today, I’d like to introduce this same design as it’s been reformatted, tweaked for improvements, and released FOR FREE here on the blog!
You can still get the updated crochet pattern as a PDF in my Ravelry and Etsy stores, or keep scrolling for the free pattern (which includes everything in the PDF)
I really enjoy revisiting my patterns to make sure that they are the best that they can be, and this is kind of a constant task as I’m always trying to grow and improve my skills as a pattern designer. Sometimes I just have more to offer in terms of technical assistance – additional tutorial photos were a MUST with this piece – and sometimes I believe that the form & content of the design makes it a good candidate to be re-released for free (the Rhiannon Cowl is another great little project of mine that started as a paid PDF and then debuted on the blog as a free version!)
In this case, I considered just about every aspect of the pattern needed attention 😉 Including the name! While I liked “Boho Fringe” it just didn’t really fit the nature of the poncho. This piece is a Big Booty Judy, made with thick warm woolen yarns, post stitches, and a cozy fit that hugs your shoulders for extra warmth. Realizing that its thicc qualities made it a perfect item to have in the coldest months I decided to rename it – the Winter Poncho!
This is a wonderful project for using up bulky or super bulky scraps (see the notes for more about yarn substitution), it uses large hook sizes so that the project works up quickly, and it’s waaaaaaarm 🙂
Winter Poncho Crochet Pattern
7 skeins Bernat Roving (#5 weight, 100 g / 120 yds, 80% Acrylic, 20% Wool) – all solid-colored examples are made with this recommended yarn, the multi-colored examples are made with a mix of bulky and super bulky weight scrap yarns! 9.00 mm hook, 11.5 mm hook Tapestry Needle Scissors
Measurements (approximate): 40” circumference at the top, 54” circumference at the bottom, 18”long (not including fringe)
4 sts & 3 rows = 2” in alternating fpdc/bpdc for 9.00 mm hook, 3 sts & 3 rows = 2” in alternating fpdc/bpdc for 11.5 mm hook.
The chain-2 at the beginning of every round does not count as the first stitch of the round. When joining rounds with the slip stitch, skip the ch-2 entirely and join into the first fpdc of the round.
I have recommended Bernat Roving for this project, which is a #5 weight yarn but it gauges somewhere between a bulky yarn and a super bulky yarn. Some of my Winter Ponchos have mixed #5 & #6 weight yarns, which works pretty well – but be sure to follow gauge if you substitute yarns!
The Winter Poncho is closed at the top with a drawstring, but the rest of the shape is dictated by hook size and follows the same number of stitches through every round. If you need a wider poncho, evenly place an even number of increases at Round 10 in order to size up.
Two types of fringing is offered in this pattern, the Double Chain Fringe of the original design, and the regular fringe which I have been favoring lately – both types are included in the instructions.
Poncho (Main Body)
Starting with the 9 mm hook, dch 80. Join with a slip stitch to form a ring, making sure not to twist.
Rnd 1: Ch 2, dc in the same stitch as join. (1 dc in the next st) 79 times. Join with a sl st to the first dc of the round. – 80 sts
Rnd 2: Ch 2, fpdc in the first dc of the last round, bpdc in the next dc. (1 fpdc in the next st, 1 bpdc in the next st) 39 times. Join with a sl st in the first fpdc of the round – 80 sts
Rnds 3: Ch 2, fpdc in the first fpdc of the last round, bpdc in the next bpdc. (1 fpdc in the next st, 1 bpdc in the next st) 39 times. Join with a sl st in the first fpdc of the round.
Rnds 4 – 10: Rpt Rnd 3.
Switch to the 11.5 mm hook, then continue in pattern for rounds 11-27.
Rnds 11 – 27: Rpt Rnd 3.
Cut yarn and tie off.
Double Chain Drawstring
Double chain a length of 60” (about 120 DCh stitches) with your main yarn. Cut yarn and tie off. Weave this cord through the first row of post stitches at the top of the poncho, going underneath each FPDC and over each BPDC. Finish the ends with either a stranded fringe, tassel, pompom, or whatever you like!
The double chain fringe offers a bolder fringed look than the regular stranded yarn fringe, and copies the original inspiration piece for this design. For a humbler decoration, see the instructions for traditional fringe.
Using the 9.00 mm hook, dch 25- 45 sts or about 10 – 20” of unstretched double chain cord, depending on how long you want your chain fringe. Cut yarn and tie off. Make 19 more double chain cords of about the same length.
When you have twenty cords total, weave in all the yarn ends if you want a very neat fringe. Leave the yarn tails hanging down a bit for a more organic fringe.
If you survived the tedium of end-weaving, the next step is to double up the cords so that ends are together and a loop forms in the middle. Push that loop through the top of a fpdc stitch (NOT through the post) on Rnd 27 (the larger end of the piece).
Insert the ends of the double chain cord through the loop and draw them to tighten.
Repeat with the 19 other fringe cords, placing them every 2nd fpdc stitch so that there is 1 non-fringed fpdc between every fringed one.
Weave in all ends.
For a traditional fringe, get a book or length of cardboard 6” wide. Using your yarn of choice, wrap your yarn around the width 80 times, then cut one side to leave a bundle of 12” strands.
Double your strand over and use the loop at the end to thread the two loose ends through each crochet stitch around the border of the poncho.
Once you’ve put the finishing touches on your Winter Poncho, make sure all your ends are woven in before scurrying out into the cold!
I think the saying goes “Make new patterns but keep the old; one is silver, the other is gold!” Or something like that anyway 😉
Excitedly scoping a new pattern, picking through the stash for a suitable yarn for the project, dreaming up color schemes and envisioning your gloriously perfect new handmade thingamajig.
Except none of the yarns are the same weight as the pattern recommends. And you can’t find your 5.5 hook (check behind your ear). And your yarn fiber is wool, not bamboo. What to do?!
Gauge and Yarn Behavior for Crocheters
The number one question I get asked as a crochet pattern designer is “Can I use [X] yarn for this pattern? Do I need to change my hook?” And the answer to this question is always basically the same: Check your gauge!
Even if you have a passing familiarity with gauge, it’s about more than just how big your stitches are: multiple factors interact when it comes to how your crochet project is going to look & act with a certain yarn.
I’ve found from experience that it pays off to be familiar with those factors that influence how your crochet project is going to turn out: Gauge, Weight, Fiber, and Drape.
Crocheters who go forward unfamiliar with these influences may find themselves in another familiar, but less pleasant, place : halfway through a crochet garment that doesn’t fit and looks nothing like the sample pictures. An in-depth understanding of these Yarn Behaviors will help stop project mishaps before they ever start!
The following is a guide I’ve put together specifically for crocheters that deals with gauge and related yarn issues. I’ve tried to compile the major technical points of figuring out what yarns to use where, and draw heavily from my 20 years of mistakes…. But remember each crocheter is different and therefore every project is different. The absolute best way to master these aspects of fiber art is just to get a ton of experience at it. That being said, let’s get on with it!
What is Gauge and how do I check it?
We’ll start with gauge: what the heck is it already?
Gauge is the measurement of the size of your stitches with a specific hook and yarn. Another term used for gauge is “tension.” While gauge is not something you may have to deal with for hats or scarves very much, it becomes crucial when making garments like sweaters.
The most common question I get for my patterns is “Can I use (x) yarn for this project / Which hook size should I use?”
The answer to this questions is: Check your Gauge!Technically, you can make any pattern with any size hook and yarn if your gauge matches the gauge given in the pattern (there are other concerns but we’ll get to that later).
Follow these instructions to learn how to measure gauge for crochet projects!
Locating the Gauge Listing
First, look to the Materials & Notes section of your pattern which should be at the very beginning. The gauge or gauges for the project should be listed there. If there are multiple parts/yarns to the pattern you may encounter multiple gauge listings.
Here’s what an example of what the gauge might look like: “Gauge: 3 stitches and 3 rows = 1″ in hdc”
And here’s how that is interpreted: “3 stitches” = the measurement, taken horizontally from a section of stitching, of how many stitches of the specified type fit within the given unit length (here in Inches) “3 rows” = the measurement, taken vertically, of how many rows of stitching of the specified type fit within an inch or inches “= 1 inch ” = the given unit length (commonly can be 1″, 2″, or 4″ although other measurements are possible) “in hdc” = the specified stitch type for measuring the gauge
Sometimes for my circular crochet patterns, I give the project gauge as the measurement in diameter of the first few rounds – in this case the first small circle of the project counts as the swatch. The gauge portion of the pattern should specify how to measure if it does not use the traditional method.
Checking Crochet Gauge
Since every crocheter crochets differently – some looser, thinner, or tighter, or fatter – using the same size hook and yarn as the project calls for does not guarantee your gauge will be the same as the one listed for the project.
So now that the Gauge listing is broken down, how do we check it? To accurately check gauge and determine whether your tension is appropriate for the pattern, look again in the Pattern Materials & Notes section. The pattern will list a recommended yarn and hook size – you’ll need to start by using the recommended yarn, or at least a yarn in the same weight category, and the hook size listed in the materials section. With these materials, you are now ready to test your gauge by making a small sample piece of fabric called a swatch.
It’s very tempting to skip this part and move on to the project itself, which is not too dangerous for small projects like hats and scarves – but for things like large sweater coats, you better swatch out!
Testing Your Gauge: Swatching for Crocheters
1. Get the hook size and yarn recommended by the pattern gauge listing Chain a length of 15-20 sts or long enough to accommodate whatever stitch or pattern being swatched (sometimes the pattern will give you direct instructions on how to make your gauge swatch). Some gauge guides say the swatch will be 4 inches, some recommend other lengths or stitch counts – your pattern may or may not specify. The main concern is the get a piece of fabric big enough that your hand becomes accustomed to the stitch design and starts to work regularly. This is also why the gauge reading is taken in the middle of the swatch, away from the top, bottom, or side edges – but we’ll get to that.
2. Begin to Swatch The Gauge listing in the pattern should indicate what stitch or part of the pattern to use for a swatch sample. Here’s the sample Gauge from earlier: Gauge: 3 stitches and 3 rows = 1″ in hdc For this swatch, I would start with 20 ch stitches, then work 1 hdc in each chain stitch. Working in rows back and forth, I would create enough rows of stitching to make a solid square or rectangle piece. Seems like a lot of work, I know. But you can’t get a good gauge reading from a piece that’s only 5 stitches long!
3. Pin it Out Once the swatch is complete, it’s time to measure. Before measuring, set out a soft surface (towel, cushion, or blocking mat) and use pins to uncurl your swatch out to it’s fullest size, evening the tension of the piece. Crochet stitching uncurls and loosens some after being worked, so if you measure your swatch without tensioning it first, you may get an inaccurate gauge reading.
While 4 sts / 1 inch doesn’t seem like that much of a difference from 3.5 stitches / 1 inch, small differences can really add up on larger projects. Get your gauge as close as possible to avoid mishaps later!
4. Measure it! Get a gauge plate tool (the one pictured here is from my Addi Click knitting set, but they are sold individually by the hooks & needles in hobby stores) or a measuring tape / ruler and measure the stitches in the middle of the swatch. For our given gauge of 3 stitches and 3 rows = 1″, we should be able to measure 3 stitches horizontally at 1 inch, then 3 stitches vertically to equal 1 inch.
Correcting Your Gauge
If your gauge is smaller (tighter), and you are getting more stitches and rows per inch (4 sts and 3 rows, for example, instead of 3 stitches and 3 rows. Which was what I got for the swatch pictured above) you will need to size your hook UP to create looser tension and bigger gauge to match the measurements of the project.
If your gauge is larger (looser) and you are getting fewer stitches per inch (2 stitches and 2 rows, for example) you will need to size your hook DOWN to create tighter tension and smaller gauge.
Sometimes you’ll end up with the correct amount of stitches horizontally, but not vertically (or the other way around). Messing around with your method can sometimes correct gauge errors that are just a little off. Try altering the tension of the yarn in your non-hook hand, or pulling up more yarn per stitch, to adjust errors in stitch height or make small horizontal adjustments. Additionally, different hook materials can affect your gauge – if you can’t achieve the right tension with a bamboo hook, try a metal one!
Besides switching your hook, it is also possible to change yarns to get a different gauge, although that happens less often – more commonly, people wish to use a certain yarn for a project and will switch hook size in order to obtain the correct gauge with the yarn they intend to use. However you go about it, adjust your ingredients according to whether you need a tighter or looser gauge.
And then yes, you’ll have to make another swatch and measure again 🙂
But it’s better than having to undo entire large projects because of gauge errors!
One thing I recommend is to keep a stack of past projects’ swatches with the aim of creating a blanket/quilt/other scrap project with them. Having a future use for them makes them more appealing to actually do – and who doesn’t want another project on top of their new project? Haha!
Changing & Taming Gauge:
Let’s say, for the sake of insanity, that you actually DO want to change the gauge of an entire sweater project – you have a hook and yarn combo that makes a different gauge than the project and you’re determined to use it anyway. How do you get a garment that still fits? You have three options: 1.Try to make a different size (if multiple sizes are offered) 2. Just try it anyway and totally wing it changing the pattern willy nilly to fit your size needs, accepting that the result might be utter failure with no recourse (my favorite method). 3. A Lot of Math.
So much math is involved in #3, in fact, that I can’t lay out a general plan here in this Field Guide, but if you would like to start learning how the mathematics of gauge goes into planning the size and design of a crochet pattern, check out some of my free pattern resources. I try to periodically design stuff that’s really open-ended, with the intent to lead others to customize and experiment with whatever they have available – here’s two I’d recommend!: Basic Armwarmers Tutorial Basic Bralette Tutorial
Finally, there ARE times when you don’t have to worry about checking gauge at all: when you don’t care if the project comes out exactly as big as the pattern specifies – blankets and home decor projects are good examples. That’s the conclusion of the Gauge-specific portion of this Field Guide, but if you’re curious about the other important Yarn Behaviors, read on!
Yarn Weight – Meet the Standards
Yarn weight is one of those things that seems like it should be simple. Especially in the United States, we’re used to seeing one of 8 little numbers on the yarn label which generally tells us what different yarns can work for the same project. For instance, if you have a crochet pattern that calls for a #4 weight category yarn, most people will go to the store and pick any yarn they like that has a #4 on it.
Except experienced crocheters know that not every yarn in the same weight category is going to act exactly the same. Take my favorite rogue #4 weight yarn – Lion Brand Shawl in a Ball – and compare to a regular cheapie #4 weight acrylic solid:
They look totally different. And you might guess that they work up pretty differently, too:
And that’s why yarn labels also contain some other important information besides the general numbered category (which doesn’t even exist on some non-US yarns): The length of the skein in yards/meters, the weight of the skein in ounces/grams, and the fiber content.
The length/weight information tells something important about the yarn that the numbered categories don’t directly specify – how DENSE or heavy the yarn is. That’s how our favorite rogue manages to be a #4 weight yarn the same as this acrylic – because the Shawl in a Ball is denser, and so the yarn is as heavy per yard/meter as the bigger sized yarn. And since yarns are categorized by weight, the Shawl in a Ball has enough weight per length unit to get a #4 label even though it is thinner than our acrylic #4.
Wraps Per Inch
While the apparent thickness of the yarn strand usually stays similar throughout a single numbered yarn category – several of these bulky #5 yarns for example – there is another metric that can help determine if your yarn is right for your project, and that’s something called Wraps Per Inch (WPI).
WPI is measured by taking a small object (a ruler is choice, a pencil works great too) and wrapping a strand of yarn as neatly and evenly as possible around the object. The wraps are then measured to see how many wraps can fit within an inch of space – which gives a better idea of the thickness of the strand than the weight categories do.
Different fibers have different structures and densities, and yes, fiber content will definitely affect your project – and for more reason than just how you wash it. Fiber densities effect grams per yard, so a thinner yarn made of heavier fiber may be in same weight category as fatter yarn with lighter fiber – and the different surface qualities will change the way your project looks and acts.
There are so many more fibers and fiber blends available today than there were even 10 years ago when I started getting serious about my funtime hobby. I could most definitely do a full post on just fiber alone (actually I’ve done several in the past) but I’ll try to keep it fairly brief for now!
Fibers come in several general categories: Animal or Protein fibers (wool, alpaca, yak, etc) Plant or Cellulose fibers (cotton, rayon, hemp etc), and Inorganic/Man-made fibers (polyester, acrylic, polyamide, ect).
Although it may not be the first thing you compare when substituting your yarns, fiber content does matter – especially if you need to know how the finished piece will behave over time. A heavier-fiber yarn (such as cotton) substituted in place of a lighter fiber yarn (such as acrylic) will result in a project that might be a lot heavier overall than the designer intended, causing problems such as stretching and warping.
Conversely, a project that is designed to depend on the heaviness of the yarn for it’s overall look (such as the Lotus Duster, pictured above) might not be quite as flattering to wear in a yarn that is extremely light and does not exert the right amount of downward pressure on the garment. (I mean in my opinion it looks great no matter what but… 😉 )
Not to mention wool, and whether or not your project will shrink and felt in the wash!
In addition to weight, fiber also contributes to the traction or slipperiness of a stitch – extremely soft and slippery fibers like silk will not create a lot of friction or resistance when rubbing together, so any stitches made with silk yarn will settle and stretch out to the maximum that they can in a finished project – where a stiffer, rougher yarn like wool (especially if it’s lighter too) will not ‘spread’ so much.
Of course, in considering what yarn to use, where you’ll wear it makes a big difference too. Cotton, bamboo, and silk are wonderful fibers for delicate next-to-skin projects, like the halter top below made with bamboo/silk blend. I had to keep the tension tight for this project so that the stitches in the slippery soft fiber wouldn’t stretch out too much, resulting in wardrobe malfunctions 😉
Ply refers to the structure of the fibers within the strand of yarn – a ply is one strand of raw fiber spun together, and a yarn may consist of many plies or only one. Yarns with several plies tend to be strong and can be easily pulled back out (frogged) from stitching. One ply yarns (like RH Unforgettable) provide a gorgeous stitch definition but are weaker and will pill/tangle more easily when unraveled.
Ply, combined with fiber type, will affect the density and elasticity of the yarn too! When finding yarns that will easily create the same gauge as your intended project, it can be helpful to match the ply types of the yarn. For this reason some UK yarns will list the ply on the label (like we saw on the Ravelry standards chart).
Since ply isn’t talked about that much in crocheting, how about a for instance?
My Elf Coat uses DK (#3) weight wool as the recommended yarn. I searched high and low for a suitable DK weight yarn substitute available in US hobby stores (King Cole Riot is a UK brand yarn). The closest I could find was Red Heart Unforgettable, a worsted (#4 weight) yarn. As mentioned in the pattern, they do produce slightly different gauges with the same size hook, but RH Unforgettable works better as a substitute than other #4 yarns might because Unforgettable is a one ply yarn just like the DK weight yarn.
If you are very interested in the structure of yarn plies and the ways that different yarns are designed and constructed, you should check out my blog posts about spinning. There’s no better way to take your hobby to the next level than to learn to make your own yarn!
Ah, drape. Drape is the creature of the night, the hidden amalgamation of all the yarn behaviors discussed above. How could I not love something as mysterious and dramatic as drape, which is how a piece of fabric hangs or flows over a surface?
The flow of the fabric depends first on how easily the stitches can move around within it – stitches with lots of space in between them may have better movement and can wrinkle and ruffle more when handled or hung – pieces with stitches very tightly packed and no space in between will be stiff and less flow-ey.
Through the years I have found that people, whether they are beginner fiber artist or not, DO instinctively perceive drape even though it can be hard to define. When I read about how a crochet piece doesn’t match the project image, or when I see crocheters struggle to recreate a specific part of a pattern that just “doesn’t look right” even though the gauge and stitches are correct – that’s drape.
But it’s not just about the closeness of the stitching – you can get the correct gauge for a project and still not achieve a good drape.
If your yarn is not the same or similar fiber content, your drape can be off – remember talking about smoother yarns like silk stretching and settling more? That’s drape, too.
And yarn weight, in which some yarns are weirdly heavier or lighter per yard than others in the same category, due to fiber content? You guessed it! That affects drape too.
And you might have some suspicions about WPI – the amount of space a certain size yarn takes up when wrapped around an object (such as a crochet hook)… Whaddya know! Drape!
The good news is, drape can be tamed by being familiar with all the yarn qualities and behaviors we’ve been talking about in this post. If that lovely sweater you’ve got your eye on making calls for yarn that’s 50% bamboo and 50% cotton, now you’ll know that choosing a 100% acrylic yarn will change the way that project looks or maybe even fits. And you can either decide to look for a yarn that’s a closer match, or decide you don’t give a flip and will make it with whatever yarn you have on hand and drape be damned (an extremely valid standpoint IMO).
Which brings me to the final portion of this programme:
Wrapping it Up
You’re armed. You’re ready. You’ve got your massive, exuberantly curated folder of crochet patterns. You’ve got your yarn and your backup yarn and your secret backup yarn (it’s hidden in the trunk of the car). You’ve got your hooks (except for that damn 5.50 CHECK THE COUCH)…
And you’ve got all this information about how to best make material choices based on gauge, weight, fiber, WPI, ply… yikes! That’s a lot to consider now, and maybe it can be a bit overwhelming. After all, a lot of hobby crocheters make it their whole hobby careers not worrying about most of this.
And that’s perfectly fine. I wanted to create this Field Guide for other fiber artists who might have wondered the same things as me, and for those who just can’t get enough of weirdly specific fiber science (also me). The important part is to have the knowledge, so that you can make your own decisions. As a very famous and favorite quote of mine runs, “Learn the rules like a pro so you can break them like an artist.”
If you’re a beginner crocheter who came here to learn about gauge and got sucked in, congratulations on making it this far! I can’t believe you’re still reading this! Anyway, dear beginners who need a starting point: just start with the gauge aspect of Yarn Behaviors, following the procedures for checking gauge by swatching. The rest of these considerations will be picked up and intuited over time 🙂
After all, the majority of what I’m presenting here is information I’ve slowly gleaned through experience. Experience and a whole buttload of mistakes – because while none of us like to make mistakes, we simply can’t grow and learn without them. So whether or not you apply all the information in this post, I truly hope it’s helpful on YOUR fiber art journey, whatever you make of it.
And as always I am here if you have questions and I love to talk shop – if I don’t have answers, I can at least offer advice ❤
Thanks for visiting! See you on the next yarn safari… -MF
I’ve always had a natural love of animals and being raised in the country meant I had a lot of exposure to all sorts of them – in particular I loved the white-tailed deer that would sometimes appear on the edges of the yard, majestic and graceful but powerful as well. Anyone raised around their natural habitat knows that deer, even peaceful-seeming and retiring does, are not to be trifled with.
So, certainly not for the first time on this blog, today’s crochet project is deer themed! I already have a number of horn and antler patterns available and thought it would be fun to put together a free video tutorial for the Yearling Headband that shows how to crochet this super elastic, comfortable, useful and above all ADORBS self-care accessory using some of my favorite crochet tricks!
Keep scrolling for the FREE crochet pattern & video!
The antlers in this headband are a two-tine version of the “Forest Guide” rack, made with smaller yarn and hook than the original – you can use the recommended materials in this post, the video, or choose your own, just make sure your gauge is tight so there isn’t a lot of space between stitches (aka amigurumi style).
The headband with the pink petals features what I call my “Twig Horns” which are a cute, more cartoon-y set of nubby antlers featured in my Mori Beret. They are quicker and not as cumbersome if you want a more low-key headband – directions for those appear in written form under the original antler video below!
Introduction to Yearling Headband
Yarn: Various, good project for scrap yarns 50-100 yards each- I used a thick #6 weight yarn for the headband #2 yarn for the beige antlers #3 yarn for the brown antlers #5 yarn for the leaves
5.50 mm hook (headband) 3.25 hook for beige antlers 3.50 mm hook for brown antlers 5.00 mm hook for leaves
20″ circular elastic – I bought mine in a pack from the hair accessories section of the pharmacy, you could also use regular craft elastic sewn in a circle or knotted. 2 12″ craft pipe cleaners (for large horns) Small amount of polyester fiberfill or cotton batting (to stuff antlers) Tapestry needle, yarn needle, scissors
To create the base for the headband, I used my 5.50 mm hook and chunky yarn to crochet around the elastic band, working in a full circle one direction then turning and working in between the stitches in the opposite direction:
As I mentioned earlier, the antlers on the brown headband are a version of the Forest Guide antlers that only use the first 2 tines, and work in #2 yarn and a 3.25 hook. The first two videos cover these antlers, with the same written instructions appearing below the videos. For the smaller antlers, keep scrolling for the written pattern!
The first video demonstrates the first tine, which is the biggest and longest. To make any other length of tine, follow the instructions of the First Tine for only the rounds indicated in the video, or below in the written version of this antler pattern! The second video covers how to construct the antlers.
Written instructions: Main Tine (Make 2:
Worked continuously in the round, place marker in the first stitch of every round to keep track.
With 3.75 hook and #4 accent color beige, make magic ring. Rnd 1: 3 sc into the ring. Pull the ring closed tightly. – 3 sts Rnd 2: 1 sc in the next st, 2 sc in the next st, 1 sc in the next st. – 4 sts Rnd 3: 1 sc in ea st. – 4 sts Rnd 4: Rpt rnd 3 Rnd 5: 1 sc in the next 2 sts, 2 sc in the next st. 1 sc in the next st. – 5 sts Rnd 6: 1 sc in ea st. – 5 sts Rnd 7: Rpt rnd 6 Rnd 8: 1 sc in ea of the next 2 sts, 2 sc in the next st. 1 sc in ea of the next 2 sts. – 6 sts Rnd 9: 1 sc in ea st. – 6 sts Rnds 10-11: Rpt Rnd 9. Rnd 12: *2 sc in the next st. 1 sc in ea of the next 2 sts. Rpt from * once more. – 8 sts. Rnd 13: 1 sc in ea st. – 8 sts Rnds 14-15: Rpt Rnd 13 Rnd 16: 1 sc in ea of the next 4 sts, 2 sc in the next st. 1 sc in ea of the next 3 sts. – 9 sts Rnd 17: 1 sc in ea st. – 9 sts Rnds 18 – 19: Rpt Rnd 17 Rnd 20: 1 sc in ea of the next 4 sts, 2 sc in the next st. 1 sc in ea of the next 4 sts. – 10 sts Rnd 21: 1 sc in ea st. – 10 sts Rnds 22 – 30: Rpt Rnd 21 Rnd 31: 1 sc in ea of the next 4 sts, 2 sc in the next st. 1 sc in ea of the next 4 sts, 2 sc in the next st. – 12 sts Rnd 32: 1 sc in ea st. – 12 sts. Slip stitch in the next few stitches to finish. Cut yarn and tie off leaving a long tail for sewing.
2nd Tine (Make 2):
Work Rounds 1 – 14 of the Main Tine. Sl st in the next few sts to finish after Rnd 14, cut yarn and tie off leaving a long tail for sewing.
3rd Tine (Make 2): Work Rounds 1 – 12 of the Main Tine. Sl st in the next few sts to finish after Rnd 12, cut yarn and tie off leaving a long tail for sewing.
4th Tine (Make 2):
Work Rounds 1 – 10 of the Main Tine. Sl st in the next few sts to finish after Rnd 10, cut yarn and tie off leaving a long tail for sewing.
Follow the video for a tutorial on stuffing and constructing the antlers – this video shows the full antler with all tines, but you can do as many as you wish and position them as you like.
With polyester fiberfill and stick, stuff a tiny bit of filling in the tip of the Main Tine. Take one 12” 6mm pipe cleaner and fold in half, twisting loose ends together to form a flat loop. Insert twisted end into the Main tine, leaving a small bit of loop sticking out of the opening. Gently fill the bottom part of the Main Tine around the wire armature with poly fill. Roll and massage the piece to even out the filling – do not overstuff! It should still be flexible and posable on the armature.
Gently stuff the 2nd tine with a small amount of fiberfill. With tapestry needle, thread long yarn tail of the 2nd Tine. Position about halfway up the Main Tine and sew around the base of the 2nd tine.
You can also follow the written pattern for the Twig Horns below, if you want low-key fawn vibes!
Using 3.50 hook and #3 or #4 weight accent yarn:
Make 2 of each tine. Worked continuously in the round. Use a stitch marker to keep track of rounds.
Rnd 1: Make Magic Ring. 6 sc into the ring. Pull the ring closed tightly. Rnd 2: 1 sc in ea sc around. – 6 sts Rnd 3: *1 sc in the next sc, 2 sc in the next sc. Rpt from * around. – 9 sts Rnds 4-13: 1 sc in ea st around. – 9 sts Rnd 14: *1 sc in ea of the next 2 sc, 2 sc in the next sc. Rpt from * around. – 12 sts
Sl st in the next 2-3 sts, cut yarn and tie off, leaving a long tail for sewing.
Rnd 1: Make Magic Ring. 6 sc into the ring. Pull the ring closed tightly. Rnd 2: 1 sc in ea sc around. – 6 sts Rnd 3: *1 sc in the next sc, 2 sc in the next sc. Rpt from * around. – 9 sts Rnds 4-8: 1 sc in ea st around. – 9 sts
Sl st in the next 2-3 sts. Cut yarn and tie off, leaving a long tail for sewing.
Thread the long tail of the 2nd tine onto a tapestry needle and sew around the base onto the main tine. Weave in the ends. Rpt for other antler.
I originally designed this little leaf/petal pattern years ago, looking for a quick and easy leaf that could be worked into long chains. It’s now in several of my designs and a favorite go-to when adding decoration and texture to a piece. Follow this video demo for how to work this leaf in clusters of three or four. Written instructions below the video!
For a more detailed photo breakdown, see the original blog post here. With 5.00 mm hook and #5 bulky or #4 worsted yarn:
* Ch 5 – last 2 ch counts as the beg ch-2 in the leaf motif. In the 3rd ch from the hook, work 4 dc, ch-2 length picot in the last dc made, 3 hdc in the same stitch. Rotate, working in the same st on the other side of the beg chain, 2 hdc. Join motif in the round with a sl st in the 2nd ch of beg ch-2. Sl st in the 2nd ch st from the motif.* Rpt * to * 4 times total. Sl st in the bottom of the first motif to join the 4 leaves in a circle. Cut yarn and tie off – 4 leaves
Try your headband on and mark all the spots where you want your antlers, leaves, or other decorations to go…
With tapestry needle, use the long yarn tails to stitch the elements onto the headband. Thread yarn through the wire loops underneath the yearling antlers if you’ve got them, and pull the loops through the stitching so they are fully embedded in the yarn headband. Stitch tightly around the yarn base of the antler. Repeat for other antler.
Using yarn or tapestry needle, sew the leaf rings into the headband (I like them on the sides under the antlers) and pin down the tips of the leaves if you want them to lie flat.
Weave in all remaining ends – voila! A fawn is born!
I could go on and on with other ideas for this kind of design, from woodland creature ear variations to radical colorful freeform pieces, and I hope some of those neat variations get made and I get to see them! As always I love seeing what you make from my designs – please tag @moralefiber on Instagram for your projects or share them in our wonderful Facebook community, the Magic Fantastic Crochet Atelier!
This classic pattern of mine from 2015 looked like the perfect project for my consistently-freezing self to whip up a few weekends ago, using a small stash of inherited yarn…
And as I am wont to do, I thought of some things this design needed – like pockets! And a little sprucing up of the PDF couldn’t hurt, and the written specs really weren’t up to scratch. Long story short, my “quick weekend project” turned into a total refurbishing of the Woodsman’s Wife Ruana, and I’m so happy I did because it’s a much-loved oldie but goodie and it deserved a makeover ❤
You can get the brand-new updated PDF pattern now in my Etsy Shop or Ravelry Store! Thank you for your support ❤ ❤
My “pocket shawl” version of this ruana / scarf / hood / blanket / thing hybrid was actually made with Lion Brand Homespun (#5 weight) held double, as a substitute for the Lion Brand Homespun Thick & Quick (#6 weight) called for in the pattern. Unfortunately I don’t know the colors used, because I got them from a destash, but I do know it took 11 skeins, and I switched the colors out individually by strand instead of at the same time, to get the faded effect 🙂
I love the new version, especially the cozy pockets! Keep reading to find the details on the new PDF pattern:
This big cushy crocheted version of the traditional ruana features crochet ribbing, a pixie pointed hood, and alternate sizing instructions to make anything from a slim belted wrap to an extra-wide cape-style coverup, and now has instructions for pockets as well!
The main body is worked flat in one whole piece, while the hood is worked separately in one piece and then seamed together. Made with a super bulky yarn and a 11.50 mm hook, this wrap works up quickly and feels super cozy. Wear it belted, over-the-shoulder, or add buttons or ties for a closed vest style.
The pattern for this versatile, convertible wrap includes alternate sizing instructions, construction charts, and detailed written instructions. The Woodsman’s Wife Ruana is a great Easy level pattern for crocheters ready to move on from hats and scarves and includes all the instructions you need to make this fantasy piece for autumn!
Materials: Yarn: Lion Brand Homespun Thick & Quick, #6 Super Bulky, 160 yds / 6 oz, 170 g – 88% Acrylic 12% Polyester)– 5 skeins (7 – 9 skeins for expanded sizes) Alternative: Regular Lion Brand Homespun held double (#5 Bulky, 185 yds / 6 oz, 170g – 98% Acrylic, 2% other) – 11 skeins Please note that you may need more yarn if you customize the size by adding rows, given optionally in the notes. 11.5 mm (P) hook Yarn needle, scissors Button & yarn in coordinating color, 5.00 mm hook and/or ribbon (all optional, if adding fastenings)
Finished Measurements: Main Body: 72” Long unfolded, 36” long when hanging from body. Width is optional. Hood: about 13” x 13” after folding and seaming, laid flat.
As you can see I’ve made a few of these over the years and even made a closed robe style once – I took notes on how I did it, even though they’re really rough and don’t have accompanying photos, and you can find that on this old blog post here.
I’ve done a lot of remodeling with my older designs lately, and I do have more on my list – I make a point to keep my designs updated as I grow and learn from my business and as styles and demands change ❤ It’s one of the many benefits of buying from independent crochet designers, and I thank you all for making it possible!
P.S- the faux fur hat I am wearing in some of the newer photos is my free crochet pattern for the Ushanka Hat ❤ Check it out!