I accumulate odd bits and ends of yarn skeins at a rapid pace, so it’s fortunate that I love upcycling and recycling projects that take advantage of “waste” material and turn them into something gorgeous and useful ❤ My favorite way to use very small bits of yarn over the years has been the knit them into garment designs that don’t require weaving in ends; leaving the spare lengths tied off to be incorporated into the fringe later saves you from having to weave in approximately thirty zillion scrap yarn ends 🙂
I’ve provided free tutorials and patterns on how to make these very simple, beginner-level knit garments here on Morale Fiber blog, and today I’m adding to the collection with the Scrappy Knit Shawl – a long triangular knit shawl that follows my method of using very small yarn balls of various sizes, large gauge needles, and incorporating the yarn ends into a fringed edge. Before we get going, here’s the other two pattern tutorials I have available in this style!
Bonus! If you’re not bi-stitch-ual (someone who knits AND crochets) I do have a great pattern for a scrappy crochet shawl in this style called the Scrappy Granny Shawl (IT’S FREE TOO!), pictured below 🙂
The simply named Scrappy Knit Shawl gets its shape by working a yarn over increase 1 stitch from the edge on both sides of every row. It’s got a pretty dang LONG wingspan, reaching around 95″ on the longest side! You can modify this shawl to be wider (from edge to triangle tip) by doing the YO increases only every other row until you get the size you like 🙂 If you like this project, be sure to favorite it on the Ravelry project page!
Materials: Size 10 or 10.5 (6.5 mm) knitting needles (I started with straight needles then moved to cabled circular needles once my piece got longer) A big ol’ pile of scrap yarn balls, various weights (some of them can be very small – start with those first!) Accent yarn for the fringe Scissors, tapestry needle
Finished Measurements: About 95″ in length About 20″ from edge to center point of triangle
Gauge: Not critical for this piece but mine was 5.5 sts & 12 rows = 2″ in garter stitch
Terms: Knit (K) Yarn Over increase (YO) Stitch (st)
Instructions: With 10 or 10.5 knitting needles, Cast On 3 stitches with a very small scrap yarn. Row 1: K1, YO, K1, YO, K1 Row 2:K1, YO, K until reaching the last st, YO, K1
From here, try to change yarns at the end of the row only. Leave your yarn tails loose (except to tie on the next yarn), changing yarns if you think you won’t have enough for the next row. I use up very small balls at the start for the shortest rows, then gradually use bigger balls as the rows get longer.
We’ll be repeating Row 2 using this yarn changing method for the rest of the garment. If you started on straight needles, switch to cabled circular needles when the piece becomes too large.
Rows 3-120 (or until you have the length you like): Repeat Row 2
If you have very thin yarns you’d like to use, try doubling them up with other yarns so the weights are more even!
Now, go over all the yarn ends left at the ends of the rows and make sure they are tightly knotted together. If you absolutely had to change yarns in the middle of any of the rows, weave in those ends but not the ends at the edges, which will be incorporated into the fringe.
I used my trusty notebook to wrap my yarn into 12″, then cut the looped yarn to make a bundle. Double up each strand and hook the loop of the strand through the edge of the shawl, taking advantage of those YO openings left in the fabric to apply the fringe.
Once you’ve fringed and woven in any mid-row ends, you’re done! I was so pleased with the result of this scrappy shawl design, I managed to make quite a pretty accessory from a relatively small amount of scraps. It’s so warm too- good thing, it was cold out that day!
If you like this project and love scrappy projects in general, you should check out my pattern collection of Scrappy Projects – all the links to all the scrappiest patterns I’ve published (both free and paid) plus notes on each one! ❤ Happy upcycling! -MF
P.S – BONUS GALLERY
Pssst… writing this post I was reminded of one of my first big knit projects I ever made up, which was knitted with 50% upcycled yarn (the beige yarn) that I had pulled out of an old sweater. That post is no longer available on this blog but I thought I’d pull a few from the vaults, for fun 😉
Forgive me, fiber darlings, as the golden falling walnut leaves and the true approach of autumn sends me into paroxysms of nostalgia – you see, I’ve completed a very long personal fiber art project, and will not hesitate to use it as an excuse to wax sentimental 😉
Translation: This is a long personal reflection post and a project with no patterns. 😉
I had already been working with drop spindles at this point, but I was excited to take advantage of the larger, faster batches one could produce with the wheel. I dug into the first pound with vigor, producing a tight and even dark brown set of yarns… but like lots of large projects, the initial momentum got lost and it took me several years to finish spinning the rest of the fiber.
In the mean time I learned and experimented with lots of other things, and even added more alpaca fiber to the hoard, including a raw fleece gifted to me by a friend (not much of that one went into the final product – hand carding is a workout!!)
The fleeces followed me, like a little herd of alpacas themselves, though many phases of life in the past four years. I spun and played with them, dreamed with them. They reminded me all the time of the farms and ranches I worked at when I was younger and traveling the United States, work-trading as a farm hand at communes and eco-villages. Every fiber of them passed through my hands eventually, to twist together on the wheel or spindle – how many thoughts are in these fibers? How many dreams?
At once point I got exuberantly experimental about natural dyeing again (my first forays consisted of tea, coffee, turmeric, and a failed pokeberry batch way back in 2009-10 or so), so I started collecting the vegetable waste from my day job in the produce department and brewing up a big batch of avocado dye from the pits and skins. Raw material, collected and transmuted again. How many hands picked the fruit? How many dreams did they dream?
When I dive, I deep dive. I want to know the parts of a process like I know the breathing of my lungs, intrinsically, so that my fingers can read the dreams. To me, that is the way to respect – respect what, I don’t know. The energies it took to create everything around me? Maybe. It is gratitude, definitely.
When the fibers were carded and dyed and spun and plied and washed and dried, I took them to my fatter knitting needles: the 9.00 mm circulars from my interchangeable set. (I remember the super long knitted scarf from a decade ago, and how I tried to cram so many stitches of recycled cotton onto a cheap plastic yard sale needle and snapped it into oblivion, losing hundreds of tiny knit stitches to my cold-sweating terror…)
Good thing my tools have evolved with me. I knit and knit and knit, practicing my speed-purling, practicing my yarn overs, dropping stitches and switching to garter occasionally. I never got the bug for delicate knit patterns, I like my knits huge and stupid and chunky and easy.
I knew it was going to be a big folded rectangle essentially, with two arm holes. Simple. A large serape-like shell could be worn over other winter layers, since not all of the yarn I used is next-to-skin soft – but holy heck is it warm! Alpaca fiber is also naturally water-resistant, enhancing this wrap’s qualities as outerwear.
I played up the textural aspects of this piece, letting my big dumb rectangle be the blank canvas for every nuanced lump in the fiber. It was handspun; it was messy, chunky, uneven, perfectly imperfect. I did not want it to look sleek, cosmopolitan, curated. It was my glorious mess. So I did what I learned to do best in the grueling hours of the windowless rooms in studio art at Indiana University – turn imperfections into advantages.
(Mostly) planned dropped stitches provided visual breaks vertically, and lines of garter stitches complemented and accented the color changes horizontally, creating a weathered and distressed texture that plays up the lumpy, bumpy, mismatched yarnscape. The large needles allowed plenty of looseness in the stitches to give the otherwise square shell garment a flattering bit of drape. The rough visual style belies the incredibly squishy loft of the bulky alpaca yarns.
I can’t believe I spun 100% of this garment – it is my first large project to be entirely handspun. Some parts are a little scratchy, I’ll admit, and it certainly needs a second wash (it’s fragrant in a strongly camelid sort of way at the moment) – but this piece will warm me now in a special way, because so much of my story is now shared with it.
I get really excited when I finish a piece that’s taken me years, to me they feel like a victory! Previously, the Stump had been my longest-held project (3 years), but now the Alpaca Wrap (4 years) is the record holder 😉
And here’s my advice to every artist who may have had the tough moments, like me, that make dreams feel like impossibilities: Patience, patience, patience.
Sometimes for fun I’ll go back and see what I’ve been writing on this blog at the same time in previous years – it’s a nice perk of having years worth of posts, to see what kind of progress I’ve made. Apparently December and January is a common point in the year for me to be interested in working with spinning wool and working with handspun yarn. No surprise! It’s cold here during these months and the low light of the dead of winter keeps me inside focused on the coziest materials.
It all started with the Pounds of ‘Paca, a spinning venture in September of 2016 where I ordered waaaaaay too much alpaca fiber (on sale) and spun it all over the course of a couple of years – see Alpacalypse Now for the final yarns I came up with.
Not totally final though, because some of it went into my experimental Avocado Dye batch, coming out in shades of muted pinks and hazels, a really pretty and soft color to add to my giant pile of alpaca yarn. Some of THAT went into this bitchin’ avocado dreamcatcher 😉
The avocado dye batch was a year ago now, and I still have some dyestuffs left over sitting in the back of my fridge. I’m contemplating another natural dye run, but first I’m going to make some more progress on what I decided to do with all this excess camelid fluff.
It’s another large knit, similar in style to some of the loosely knit wraps I’ve made in the past:
But this one is made entirely from handspun yarn, in the pretty neutral and muted tones. I am not sure exactly how I will style this wrap, but I’m enjoying the mindless knitting for now. It’s worked in stockinette (the other large knits above are garter stitch) and I’m using continental style to speed up my purling (getting almost as fast as my continental knit stitch!)
There’s much to be said for instant gratification projects, but as I build my repertoire of skills, materials, and experiences, I grow more and more attached to the projects that follow me through my history as an artist. I’ve been finishing up a lot of long-term projects lately, causing me to reflect on one of the most valuable skills I’ve picked up through working my art:
Patience. Because nothing makes a piece more personal than having it grow with you over time. There have been many projects I have stuffed in a corner in frustration, or stowed away never knowing if it would be finished (and a few that actually did go into the trash forever). I always find that when those projects re-emerge, I’m armed with a new perspective or a fresh skill to bring to the table, as if the project was only waiting for that development all along and I didn’t know it ❤
Though I’ve mostly drifted away from doing collections of themed patterns on the blog, I had to come out of retirement when I saw a few new Krampus fiber art goodies floating around the internet this season!
This fun and silly tradition has gained so much popularity in the United States recently, and as I mentioned in my original Krampus Hat post, my hometown hosts one of the most established Krampus Parades in the country every year. I’m proud to know some of the awesome people who help put it on!
I didn’t get to make the parade this year, so in compensation I’m offering a dose of Krampus via the awesome patterns and projects that I’ve spied recently: enjoy the Krampus Collection, with the links to the original artists and patterns below!
Krampus Hat by Morale Fiber:
Of course, I’m going to go ahead and get myself out of the way here! This is my Krampus Hat pattern from a few years ago, which actually was originally a goat/lamb hat pattern before it got a makeover! This super thick textured hat is achieved by making tons of tiny chain loops – a process you can see via my Youtube demo video. You can find the pattern for FREE on my blog here.
2. Krampus by Christina Staley
This AWESOME Krampus amigurumi figure is crocheted with worsted weight yarn and comes out to be an impressive 20″ tall! He has all the extras included, like chains, scary tongue, and sack for collecting naughty children – you can get the pattern via Ravelry here.
3. Krampus Hat by Linsday Scarey
One for the bistitchuals out there! This gorgeous and classy Krampus hat uses multi-strand knitting (something I’ve always been too intimidated to try) to create a ring of prancing christmas monsters around the crown of this superb and comfy looking beanie. Pattern is available for FREE via Ravelry here.
4. Krampus Christmas Ornament by Ann D’Angelo
Love Krampus but don’t have a lot of extra crafting time on your hands? This little amigurumi ornament can grace your tree in no time, and the pattern is available for just a couple bucks from Ravelry here. I love his cranky little face! The pattern even includes little “victims” – adorable 🙂
5. Krampus by Sonia Childers
You guys, I almost peed my pants in excitement when I saw this awesome Krampus hat by Sonia Childers in her Ravelry Store. Look at the awesomeness! It even has a beard! And a nose warmer! She has a bunch of other amazing hat patterns as well, but I really would love to make this one sometime, and even maybe mesh some of her elements with some from my Krampus hat pattern – so cool Sonia! You rock!
6. Gruss Vom Krampus by Stephanie Pokorny
Last but not least (and unfortunately not a pattern) is the incredible Gruss vom Krampus costume made by Stephanie Pokorny of the inimitable Crochetverse. Guys, look at those teeth. Most Krampus patterns are kinda cute too but this one actually gives me the willies, which is the highest accomplishment a Krampus crochet project can achieve in my opinion! You can find the original post for this project on Facebook here, and you should definitely like and follow the Crochetverse page if you haven’t already because she does incredible stuff like this ALL. THE. TIME.
I hope this collection inspires you to crochet something awesome, or at least to not be too naughty this season 😉 Thanks for visiting!
Fur yarn seems to be something I always have a lot of. In addition to using it to trim Trickster Hoods, wacky coats, and Pixie Belts, I also occasionally use it to make costume ears and tails. My first foray into tail making was using crochet, as it was certainly easier for me at the time to deal with the nuisance of all that funky hair using a technique with which I was very confident.
The resulting little fox tail (I call it the chibi tail) was clever, IMHO, made with super soft Lion Brand Romance and ending in a little clip so it could be attached to a belt. But it was a bit stiff, and I decided knitting was really the way to go for these fun and cruelty-free costume elements.
I made a couple more – the tail on the left is made with Lion Brand Fun Fur, knitted to look like a raccoon, the tail on the right is Lion Brand Romance again, in sweet fantastical pastels. Both are stuffed with lightweight polyester fiber stuffing and clippable, like the first, onto belt or pants.
The pastel tail is pretty long, and very slinky and soft. After that one, I went down the rabbit hole. Er, possibly the fox hole.
I had A LOT of Lion Brand Pelt in similar colors. What if I made a really BIG tail, so it would look proportionate to the human body?
So, as you can see, I did that. And this year’s Halloween costume was born. To be specific, I finished the humongous tail less than 24 hours before the costume party! 😀
I dubbed my costume “Forest Witch” but mostly I was referred to as the Squirrel Lady which I am also 100% satisfied with 😉 . This is one of the most handmade of all costumes I’ve ever done, so I’m going to feature some of the elements involved before writing out my notes on making the Tail toward the end of the post – keep reading for the free pattern! You can also favorite this project on Ravelry for reference later.
It was cold and rainy enough the day of the party to wear my super woodsy version of the Boho Fringe Poncho, made with different scrap bulky and super bulky yarns, then trimmed with plain fringe and woven with a super textured handspun art yarn. I also added a leafy drawstring tie to the top of this piece, similar to the one made for the Rhiannon Cowl. I’m so glad to have added this poncho to the ensemble, because it hasn’t really seen the light of day since I made it.
Underneath I wore the dress I had refashioned from a few thrift store pieces – I cut the green top and the brown and purple paisley skirt up joined them using hairpin lace, then added doily accents – all crocheted in gray, upcycled sweater yarn. You can read more about this refashion project here. Layered under the dress is a thrifted skirt that I tie-dyed in browns.
The belt sports several accessories beside the tail – one of them is a crocheted woolen pouch, mounted on loops so that it can slide onto a belt. This pattern is a piece of Lilla Bjorn’s Dandelion Mandala Overlay. The knife is an antique piece made with a real fawn’s hoof found for me by a friend. It’s not handmade by me, it’s just totally wicked so I wanted to mention it 😉
It was terribly overcast all day, so my indoors photoshoot is very dark (and consequently grainy.. just pretend it’s a spooky filter effect, okay?) and you probably can’t see the faux dreads underneath my hair very well, but they are there and I made those too! From Jacob wool, dyed brown and boiled in hot water to felt them making long woolen cords, then attached to and elastic headband and decorated with beads and feathers. The hat on top sports a pair of crocheted fur yarn ears, mounted on an elastic band around the crown of the hat.
The witch hat, unfortunately is not handmade. I attempted to finish the black Hedge Witch Hat for this ensemble in time for the party, but was too busy knitting this big chunky baby…
Speaking of which, how about that tutorial? I’m afraid all I can offer is my notes, since this was not intended to be a full-scale pattern, but it’s pretty straightforward knitting if you can stand trying to see your way around all that fur.
Costume Mega Tail Tutorial
Materials: US Size 9 double pointed knitting needles (1 set) US size 9 circular needles, 24″ Lion Brand Pelt (#5, 50 g / 47 yds) 4 skeins “Sable”, 4 skeins “Fisher” Lion Brand Fun Fur, (#5 bulky, 40 g / 57 yards) 1 skein “Ginger” Lion Brand Romance (#6 super bulky, 50 g / 27 yards) 1 skein “Truffle”, 1 skein “Champagne” (Or, in substitute, around 550 yards total of any fur yarn) Metal clasp ~10-15 oz Polyester Fiberfill batting Scissors and Tapestry needle
With fur yarn and DPNs, Cast On 18 sts. Knitting in the round: Row 1: *K, M1 increase* Rpt around – 27 sts Row 2; *K2, M1 increase* Rpt around – 36 sts Row 3: *K3, M1 increase* Rpt around – 45 sts Row 4: *K4, M1 increase* Rpt around – 54 sts Row 5: *K5, M1 increase* Rpt around – 63 sts Row 6: *K6, M1 increase* Rpt around – 72 sts
Switch to circular needles. Rows 7 – Infinity: Knit around. Change colors when necessary or desired.
I knit this piece to a length of about 55″. When ready to finish off:
Switch back to the Double Pointed needles
3rd to last Row: *K2, K2together decrease* Rpt around. 2nd to last Row: *K1, K2together decrease* Rpt around. Last Row: *K2tog decrease* around. Cut yarn leaving a long piece for sewing. Thread the yarn into a tapestry needle and pass the yarn through each loop on the needles, catching the live stitches on the yarn tail. Once all stitches are threaded, pull the DPNS out and use the thread to cinch the stitches shut. Make some firm weavings across this circle to secure shut, then weave in ends and cut.
To finish the piece, Weave in all yarn ends. I used a wig brush at this stage to brush all the fur loose that had gotten trapped in between stitches to make it thicker and fluffier. Then, take the polyester fiberfill and stuff through the open end. Be careful not to overstuff – it really needs less than you think, and overdoing it will cause the piece to be too stiff and therefore less realistic looking.
Once the piece is stuffed, thread a long piece of fur yarn onto a tapestry needle and sew the open end shut, then sew onto the clasp. I used a pretty small metal lobster style clasp, available with the metal findings in most hobby stores. This allows you to attach the tail to a belt (recommended – it’s heavy) or to pants (works better with smaller ones, but if you’re brave enough…)
One last very necessary addition to this monstrosity is left! Using a crochet hook, I loosely threaded a length of bronze ribbon yarn through the knit stitches toward the end of the tail, weaving in and out all around the circumference, then tying the ends in a knot. After all, I had to have some way to keep this thing from getting super wet and mucky by dragging on the ground!
I used the tied length of ribbon as a handle to maneuver the thing all night (and dance with it – SO MUCH FUN.) Also occasionally to bop people in the face with the fluffyness. When I needed both hands free, I wrapped the ribbon into my belt in the front to secure it.
I probably don’t need to tell you that I had too much fun with it 😉 And I hope you will too, if you decide to make one for yourself ❤ If you have any questions on how I did anything in this semi-slap-dash tutorial thingy, leave me a comment 🙂
P.S – as a big and unintended bonus, post-costume-party this thing turned out to be an excellent body pillow as well, lol!
A few years ago I espied some beautiful images of knit ruana-style shawls and ponchos that used striking color striping in a simple stitch pattern. The knit stitches were loosely made, giving the garment a pretty drape, and the simple tie-offs from color changing formed a natural fringe with a western look. The artist using this beautiful style, I found out later, was the Kristen Hoke of Posh By Gosh on Etsy.
I was enamored, for many reasons: its beauty came from its simplicity and versatility. It featured only knit stitches, so I could easily wrap my head around it. Plus, ample opportunity to play with color and use up spare bits of yarn! I rushed to gather all of my spare skeins and yarn bits, and started a massive upcycling project inspired by her knits – that was my first try, which became a blanket because as it turns out I was not very good at estimating knit sizes at the time.
No worries, though – I tried again, this time turning my inspiration into a project with a crochet twist! The knit ruana, featuring crocheted granny square edges, became the Wayfarer Ruana tutorial, available for free here on my blog!
By then, I was pretty satisfied but I also found myself addicted. These projects were so easy to pick up and put down (because of the endless mindless knitting, it was definitely stitch therapy) and they were so perfect for using up very small bits of yarn. I wanted to design another garment in this style! This time, with even less weaving in of ends. And how about wearable anywhere?
And more SASSY FRINGE?
So I got to work knitting up this Scrap Knit Duster, and put together a little tutorial for it along the way. The two front panels are great for using up very small balls of leftover yarn, especially singe there isn’t any weaving in ends (or at least, very little)!
Since the garment is just made of rectangles folded and seamed, adventurous souls could easily translate this into a crochet piece (just keep your gauge loose so that the fabric drapes well).
Hope you love making it as much as I do ❤ If you do, why not give this project a fave on Ravelry?
US Size 11 (8.00 mm) Knitting Needles, 1 set 24” circular (long straight needles are fine in substitute for this), 1 set 40” circular (necessary)
A lot of random scrap yarn ❤ I chose one neutral toned yarn to kind of become the “background” for the colored yarns, as well as a trim color.
6” book, cardboard, or fringe making tool
Gauge: About 6 sts & 8 rows = 2” in garter stitch Stitches Required: Cast On, Knit, Purl, Bind Off
Finished measurements: 38” long, bust and waist measurements variable
Begin by taking your measurements. You want the total circumference of the garment to be about as wide as the widest part of your frame (whether that’s your bust, your hips, or your belly) so that it will just be able to wrap you up. I used 34” as my circumference. It’s a little under my actual measurements, but I wanted my duster to be fitted to me, and I know this knit fabric stretches accommodatingly.
The main part of the duster is made with three panels. The two front panels, which are made to equal almost 1/4th the circumference each, so half my measurement when added together. The one back panel is made to equal the other half, and is added after the first two panels are finished (this part is the same basic process as the Wayfarer Ruana, just not as wide).
However, I know I’m going to be adding a trim to the front, so my two front panels will be made a little shorter. 1/4th of 34” is 8.5”, but I’ll plan on adding almost 2” in border, so 6.5” or so. I decide that my front panels are going to be 20 stitches long each, which when plugged into my gauge, will land me at about 6.5” for each front panel width.
If you want a less fitted piece, just stick with the simple math – Each Front Panel is ¼ your circumference, and don’t worry about the trim length for now.
Cast On 20 (or whatever number you land on)
Rows 1-150: Knit each stitch. Change color at the end of the row when necessary or desired….
ONLY change colors on one side of the piece. Either side is fine, but stick with one side. This is the side that will face “out” later, and form the fringe hem at the sides, saving you from having to weave in a bunch of ends.
Make 150 rows of garter stitch for the first front panel, DO NOT BIND OFF.
Stick your first panel on a holding needle and repeat this process for the second panel.
Once both of your panels are complete, arrange your panels so that the tie-off fringe sides are facing away from each other. Using yarn and your long needles (circular or otherwise), begin to knit across the top of the first panel, starting on the fringe side. Once you knit across the first panel, CO 10 stitches for the collar of the garment. Then, continue knitting across the second panel, ending on the second fringed side.
These 50 stitches (20 for the first panel + 10 for the collar + 20 for the second panel) come out to about 16.5”. 16.5 + (6.5 + 6.5) = 29.5”. Add the (2” + 2”) on either side for the front color trim, and I will have my 34” circumference achieved.
Knit 150 rows for the back panel. Change colors at the end of the row whenever necessary or desired. Colors can be tied off on either side of the back panel.
Once you’ve finished the front and back panels, Cast off your piece. I like to use Jenny’s Surprisingly Stretchy Bind-Off (JSSBO), a video tutorial for which can be found here.
Fold your piece in half. Using your tape measure, measure from the top of your shoulder to the lowest part of your armpit. Double this number is how wide you need your sleeve to be – I got about 9”.
We will form the sleeve by picking up one flat row, centered on the same row as the collar is made. Picking up knit stitches from the side of garter stitch is tricky because we are only picking up ONE stitch per each TWO rows. So to get a 9” measurement, I need 28 stitches. (28 sts / 6 stitches per 2 inches = 4.6, or 9.3” inches.)
So beginning from the bottom of each panel, I count up from the hem 122 rows and place a stitch marker. This leaves 28 rows left on the front panel. Repeat count up 122 rows on the back panel (same side) and place a stitch marker. Pick up 28 knit stitches in the side of these 56 rows that land in between your marked stitches, using your needles.
Knit 70 rows, changing color at the end of the row when necessary or desired.
Using your preferred border color, switch to working a 4 x 4 rib. Knit 4, Purl 4 and in in subsequent round, knit the knits and purl the purls. Work 5 rounds.
You can change your rib width based on what number your sleeve stitch count is divisible by – for instance, 28 is divisible by 4 so my ribs will be even. If you have 35, you can work a 5 x 5 rib instead, etc.
BO, preferably with a stretchy bind-off method as mentioned above.
Repeat same sleeve process on the opposite side.
Fold the entire garment along the middle line that runs through the center of the sleeves and the collar. It helps to lay it flat on the floor, so you can brush the fringe out flat. In this next part, we will use a tapestry needle and a length of yarn to seam the duster.
Grab a long-ish length of yarn and thread through the tapestry needle. A simple whip stitch through both layers of edges is all that is needed to seam the garment up the side. Keep seaming from the bottom all the way to the sleeve end, starting a new seam if you run out of yarn. Repeat for the opposite side.
To keep your tension even, pull the seam thread tight by stretching the garment out as you sew. Be careful to keep the tie-off fringe out of your seam.
Once you have seamed up the side of the duster and through to the end of the sleeves on both sides, clip your thread and tie the ends off to blend them into the fringe (some you may want to weave in, such as the ends at the hem of the sleeves). Now it’s time to create the ribbed border around the front opening and collar.
Using your 40” circular needles and your border colored yarn, Pick up 1 knit stitch from every 2 garter stitch rows along the inside border of the garment. If your panels are 150 rows long, you’ll work 75 stitches up one side, 10 into the collar, and 75 down the other side.
K 4, P 4 to create a 4×4 rib. Work 9 rows of rib by knitting the knits and purling the purls. BO using the JSSBO.
Almost there! Are you excited yet?
Now we’ve got a really rockin’ fringey thing going on, but the tie-offs look a little scraggly in my opinion, so I use my 6” book to create some fringe lengths by wrapping the yarn around then cutting through the bundle. You’ll have to lay out your piece flat again, and comb all the tie-off fringe out flat to prepare for the next step.
Using a crochet hook, loop one strand of fringe in the side of every fringe-less row up the side of the body and sleeves. Repeat for the other side.
Finally, weave in any stray ends that aren’t part of the fringe. Odds are you will have a few across the shoulders where the sleeve attaches – I wove those down into the seam for the most part.
Once you have all the extra fringe attached, arrange your duster so that the sleeve and the side of the body are laying long the same line, parallel. Comb all the fringe, including the tie off, so that it is laying mostly flat. Using a sharp scissors, give your baby a haircut – I went down to about 4″ for the fringe.
If you have any stray yarn ends that need woven in (such as scraps that ran out in the middle of a row, or border yarns from adding the trim), take care of those. Once you have, you are done!
Voila! Now you have a scrappy bohemian rock’n’roll knit duster that is warm and wearable, looks great with anything, and that you MADE YOURSELF 😀 !!!
Thanks for visiting my blog and making art with me – I think this may be one of my favorite things I’ve ever made! I say that a lot though 😛
It was certainly fun to photograph. I hiked up a VERY steep hill, camera gear in tow, in order to prance around in heels on the edge of a cliff. Who says knitting isn’t extreme??
When I began drafting this post over a year ago, it was to take notes on my first attempt at some of the beautiful and colorful knit ruanas I had seen floating around online. Unfortunately for me, that first attempt (which took over a year for me to finish!) just didn’t turn out. It happens. The final product was pretty, but just too big to conceivably wear, even after several attempts at damage control. It makes an incredible blanket, however. And since the point was to use up small scraps of leftover yarn, it was indeed effective.
And yet somehow that bag of scrap yarn remained full for the entirety of the two years I’ve been developing this 😛
Maybe it wasn’t so unfortunate. After all, I had an incentive to try to do it again, and this time I had a few additional touches I was excited about trying. So, I started the NEXT one. Good thing too, because if there is one thing I love to have around, it’s a big colorful knitting project that requires zero brainpower.
My favorite projects do tend to involve recycling and reusing stuff, and this thing has supreme scrapbusting capabilities. Especially on the two skinnier front panels, you can really use up fairly small lengths of leftover yarn with ease, because you don’t have to weave in those ends! At least, not as many ends as you’d think, as long as you change yarns at the end of the row. I mostly hit the mark on this, usually with just a yard or two to spare on whatever tiny yarn ball I was using. Occasionally I gambled on a small length and lost, and had to change mid-row.
Since the yarn ends on the outside edges of the ruana are left knotted and then blended in with the added fringe, you save a ton of time doing that much-maligned finishing work. But you still have to weave in the ends for the grannies 😛
I hope you enjoy the free tutorial I whipped up for this project – it’s more of a guide than a pattern, since the dimensions/materials/yardages are left somewhat variable and a lot of it is open for (and it fact demands) personal interpretation and creativity! Of course, if you have any questions about how I did mine, don’t hesitate to ask 🙂 And, if you like it, throw me a favorite on the Ravelry project page.
Oh, and this thing is COZY. Basically this wrap cocoons you in soothing waves of color and texture and mind-melds you with the universe. Basically.
Final dimensions: Roughly 65″ x 65″ when laid flat.
Part 1 (Knit):
8 mm (US size 11) knitting needles (24″ circular and 40″ circular)
A whole buncha yarn – I used mostly #4 and #5 weight from leftovers. If you’ve got thinner yarn you want to use up, remember you can always double it up with another strand! I used 4 skeins of a silver bulky weight (I Love This Chunky from Hobby Lobby) as my “base” yarn, using a little in the main body and 3 skeins for the trims and collar.
Part 2 (Crochet):
4.50 mm crochet hook
DK weight yarn – I used a variety of colors (20 skeins) from Drops Lima, a wool/alpaca blend, and had plenty left over.
Using spare balls of scrap yarn / orphan skeins / leftover yarns
1.CO 50 sts to the 24″ circular knitting needles
2. Turn, K every stitch across
3. Rpt Step 2, changing yarn at the end of the row whenever you think you don’t have enough for another full row (or whenever you feel like it). Tie the old yarn tail and the new yarn tail into a knot. Work until you have 130 rows. Transfer your piece to a stitch holder – this completes the first front panel, one of the two skinny halves of the front.
4. For the second front panel, repeat Steps 1-3 until you have another full 50 st x 130 row piece.
5. Switch to your 40″ circulars and knit your first rectangle onto the new circulars. Cast on 10 extra stitches, then knit your second rectangle on. You now have both of your front panels, plus 10 new stitches in between for the collar, on the 40″ circular needles.
Close-up of the collar area
6. Turn, knit every stitch across, continuing to change & knot yarn as before. Work 130 total rows.
1. Using the the 40″ circular, pick up sts along the edge of the piece – I used my bulky “base” yarn and got about 180 stitches (1 stitch per 2 rows). Here’s a great video from the indomitable Purl Soho on picking up stitches from the side of garter stitch rows.
Picking up stitches from the side of the rows, front side
Picking up stitches from the side of the rows – view from the back. Notice the ridge formed by the side of the rows on this side – this is where we will attach the extra fringe later.
2. K for 10 rows. Bind off using the standard method – to make the Part 2 joining easier, I would not recommend stretchy bind-off here.
3. Repeat trim on the other side, making sure that you work the second edge with the same side facing, positioning all ends to the back of your work (so that the fringe will be all on the same side).
1. With 40″ circular needles, pick up stitches on the side of the rows beginning on the inside of the front panel up to the collar, then around and down the inside of the of the opposite panel (remember only 1 stitch per 2 rows)
From this row of picked up stitches we’ll work a 4×4 rib. If you are picky about not ending up with partial ribs, you could go to the trouble to make sure the amount of stitches you pick up is divisible by four, but I didn’t – and was divisible by four anyway! Lucky me.
2. For the 4 x 4 rib, *K 4, P 4* across the entire row. Work 8 total rows in the rib by knitting the knit stitches and purling the purl stitches in every row. Cut yarn and tie off. Weave in any ends from the main body left on this inside edge.
Next we’ll make TWO separate strips of 11 granny squares (about 6 inches in length each). You can definitely use scrap yarn here too, but I used a set of colors from Drops Lima yarn for a more uniform appearance.
To begin the granny square, make a magic ring.
Round 1: Ch 3 (counts as first dc), 2 dc into the ring, ch 3. (3 dc into the ring, ch 3) 3 times. Join with a sl st to the first dc of the round. Cut yarn and tie off.
Rnd 2: Join new yarn to any ch-3 space. Ch 3 (counts as first dc), 2 dc in the same sp, ch 3. 3 dc in the same space, ch 1. (3 dc in the next ch-3 space, ch 3, 3 dc in the same sp, ch 1) 3 times. Join with a sl st to the first dc of the round. Cut yarn and tie off.
Rnd 3: Join new yarn in any ch-3 space. Ch 3 (counts as first dc) 2 dc in the same sp, Ch 3, 3 dc in the same space, ch 1. 3 dc in the next ch-1 space, ch 1. (3 dc in the next ch-3 space, ch 3, 3 dc in the same space, ch 1. 3 dc in the next ch-1 space, ch 1) 3 times. Join with a sl st to the first dc of the round.. Cut yarn and tie off.
Round 4: Join new yarn in any ch-3 space. Ch 3 (counts as first dc), 2 dc in the same space, ch 3. 3 dc in the same space, ch 1. (3 dc in the next ch-1 space, ch 1) twice. [3 dc in the next ch-3 space, ch 3, 3 dc in the same space, ch 1. (3 dc in the next ch-1 space, ch 1) twice] 3 times. Join with a slip stitch to the first dc of the round. Do not cut yarn.
If this is your first square for the strip, work as normal. If this is not your first square, connect ONE of the sides to the previous square on the strip by beginning with any chain-3 corner and ending with the next, using this join-as-you-go method from Attic 24. If you prefer, you could also make all squares individually and seam them later 🙂
Sl st in the next 2 dc and in the next ch st so your hook is positioned to begin the next round at the ch-3 corner. Ch 3 (counts as first dc) 2 dc in the same space, ch 3. 3 dc in the same space, ch 1. (3 dc in the next ch-1 space, ch 1) 3 times. [3 dc in the next ch-3 space, ch 3, 3 dc in the same space, ch 1. (3 dc in the next ch-1 space, ch 1) 3 times] Repeat [bracketed] instructions 3 times total. Join with a sl st to the first dc of the round. Cut yarn and tie off.
Once you have your 2 strips of grannies, check to see if they are roughly the length of the sides of the ruana by laying the strip against the edge of the trim. Ballpark is fine here, you just want to make sure neither piece is overly stretched or scrunched to match. You may end up needing one more or less granny, depending on your gauge and yarn choices.
Weave in all your ends and block if desired. Lay out the main body of the ruana and settle your granny strip up against the trim, the RS of the granny facing the same side as your ridge (where the fringe will be). Thread a tapestry needle with some spare DK weight yarn and use a simple whip stitch to attach the granny squares to the trim of the ruana all the way down across. Repeat on the other side.
Clean up any ends remaining from your joining seam.
Using a 6″ piece of cardboard, book, or other object to wrap yarn around, cut a bunch of lengths of yarn for your fringe. Fold each length in half, then loop through the ridges made from picking up the stitches along the edge of the main body.
Catch the leftover ends of knotted yarn in your fringe as you go, repeating across the edges on either side of the ruana. Once you have finished, cut the fringe down to just a little longer than the garter edge trim (you don’t want it covering your pretty grannies too much).
Hunt down any stray ends that may need weaving in, then sink into the cozy rainbow bliss.
Kudos to model Daisey Denson for keeping that hat on her head like a champ despite the very GUSTY winds coming off the lake!
Right, so, this is the type of post where I picture-dump some of the projects I have been working on lately but haven’t had time to talk about individually. I’ve been creakily trying to finish up some of the colder-weather projects that had remained in limbo before I switch gears and everything turns all bright and cotton and mandala-y!
So here’s the third Bohemian Fringe Poncho, worked with an alternative yarn to Bernat Roving, to great success…
This one, like the other two ponchos I made while designing the pattern, are for sale in my Etsy shop!
Next up is a rare thing on this blog… a finished knitting project. I love knitting, but I am woefully neglectful of my knitting projects since I am always so busy with crochet / spinning / dyeing. But since this one was a commission, I was obliged to finish it in a timely manner.
I was stoked on this project when it was requested, because I support Bernie for President, because I am pretty obviously a liberal hippie feminist pinko commie.
Whew, okay. I also made this blanket over Winter Break.
My notes can be found on the Ravelry project page for this! I used 8 different colorways of variegated yarn, 15 skeins total. It was mega fun.
The weather here was great today, continuing the tradition of a mid-January Indiana warm-up to really mess with our sunshine-starved heads before it dumps more snow out of the sky. I took advantage of the mild temps to do a photoshoot for my upcoming pattern.
Remember Tidbits Linen Stitch? That was only my second post, from what seems like a million years ago (but was only 6 months). Well, that delightful diversion remained hanging from the knitting needle at the very bottom of my WIP basket since I posted that little tutorial. I’ve been cleaning up old hangers-on and scribbling their names out of my project notebook. In the case of this little swath of linen stitching, I knew exactly what I wanted to do with it… it was just a matter of getting it done.
A simple envelope style bag. The ultra-bright colors and the woven look-alike stitch reminded me of the beautiful textiles of South America. The use of various yarn weights and russian joining (which produces some frayed ends poking out here and there) adds to the folksy, rural feel of this piece (aka – messy looking), which I accentuated by adding little tassels made from my handspun, Andean-plied Targhee sample and finishing with an I-cord strap, from the same handspun.
Andean plied Targhee
The awesome thing about this bag is that it is made exclusively from yarn bits that were under 20 yards in length. I love projects that challenge me to use things that are otherwise doomed to non-usefulness.
Watching different colors blend together using linen stitch is fun, with the added advantage of a simplistic stitch pattern to zone out on. Linen stitch creates a right side (the woven looking side) and a wrong side (the bumpy garter stitch looking side), so a fold-over bag like this is a great way to use the fabric so that the right side is featured and the wrong side stays hidden.
Maybe you live in a place where the changing climate has already settled into a warm, sunny paradise of April breezes and bright flowers and days stretched out in the sun. Congratulations. I live in Indiana where ‘spring’ is normally a three month long epic battle between Cold and Hot that always dumps you on the other side of May, sweltering and wishing you could crawl inside your air conditioning unit. We still need scarves ’round here.
Although I’ve picked this collection for their springtime look, many are also great for autumn if you live in the southern hemisphere!
Atlantic Lace Shawl from Make My Day Creative – I happen to be working on this one right now, and it’s a fantastic pattern – looks super fancy but with a relaxing repetitive stitch pattern. And it’s FREE!
Mountains Cowl from Gleeful Things – Fringe is so in style right now that we might have already outpaced the 70’s. Also FREE!
Blooming Vine by Yumiko Alexander on Ravelry – Gorgeous concept for a scarf that makes a statement rather than just sits on around your neck in boring rectangle form. 6.50 USD.
Les Miserables by Cynthia Parker on Ravelry – One for the ambi-crafters. This FREE knitting pattern is a fantastic, gritty urban detour from the usual flowery lacy spring shawl fare.
Sunday Shawl by The Little Bee ~ Alia Bland on Ravelry – I love the bright colors on the version of the shawl pictured, but it would look just as nice in sleek neutral tones. Awesome spring wrap, especially if you make it in a cotton blend. 6.50 NZD.
Crystal Chandelier Shawl by Maria Magnusson on Ravelry – Sweet lace knitting pattern so airy it goes right on into summer. Only 4.00 USD!
Alpine Shawl from Cascade Yarns – FREE crochet pattern, nestled amid a bunch of other free patterns on the Cascade page. Get in on the forest-y, elf-y style with this sweet leafy green shawl.