PBT: Circle Pocket Part 1

Circle Pockets : Magic Rings, Continuous Circles, and Ami Shorthand

This post is part of a series of tutorials on how to create your own unique crochet pixie pocket belt – to read more about this series visit the Intro page.

Most of the crochet utility belts I make have circle pockets – I love their potential as a canvas for other shapes like mandalas, simple embroidery, or shell flower petals. Plus, I’m just really into circles.

The first circle for this simple circular pocket is the back part, worked continuously in the round, which is what this post is all about!

DSC_0892

Unless I NEED a circle with a big hole in the center, I always start my circles with a technique called the Magic Ring, an adjustable base for crochet circles that leaves no central gap. This is a really easy trick that is really magic! There are a lot of tutorials already in existence for the Magic Ring (I usually refer people to Planet June’s excellent tutorial) but here’s how I do this technique:

Magic Ring

DSC_0808

Take the end of the yarn strand and lay it over the fingers, the end placed on the pinkie side.

DSC_0809

Bring the strand under the fingers and back up over the index finger, using your bottom fingers to secure the loose end and your thumb to hold the yarn strand in place.

DSC_0810

Slip your hook under the bottom-most strand and wrap the top strand around the hook as for a yarn over.

DSC_0813

Draw up your loop through the strand under which your hook was inserted. Now you have one loop drawn up through the beginning of the ring.

DSC_0814

Yarn over again…

DSC_0815

… And draw through the loop on the hook.

DSC_0816

Tighten the stitch you just made. Now you have a yarn ring and a loose tail of yarn coming off of this initial stitch. For taller stitches like dc and tr, this first stitch counts as the first chain in the starting chain. For single crochet, I usually don’t count this as the first stitch as it is very tight to try to work into.

Creating a Continuous Circle:

So, once you’ve started your ring, you can start stitching the first round into it. Here’s the basic theory of crocheting flat circles: you need to increase by the same number every round to keep it flat. I start single crochet circles with 6 or 8 sts (usually 6). Which means that every round, I am going to add 6 (or 8 if I start with 8) more stitches to the total count.

DSC_0817

6 sc into the ring. Once you have your first round, pull the loose end of the magic circle strand to tighten the ring and close the first round.

Here I am, starting with 6, working continuously and marking my first st of every round with a stitch marker.

DSC_0818

End of Rnd 1

DSC_0819

Beginning of Rnd 2

To begin the next round, work the first stitch into the first stitch of the previous round. Place a stitch marker in the first stitch to keep track of the beginning and end of the round.

DSC_0820

End of Rnd 2

The first round has 6 sc, the second round has 12 sc (2 sc in each sc of the previous rnd, so I’m adding 6 to the total stitch count)

Written out, that would look something like this:

“Make Magic Ring

Rnd 1: 6 sc into the ring.

Rnd 2: 2 sc in ea sc around – 12 sc”

The next round is going to add 6 sts to the total again. That means you’ll add an extra stitch (inc) to every OTHER stitch. It looks like this written out:

Rnd 3: (1 sc in the next st, 2 sc in the next st) 6 times. – 18 sc

The words in the parentheses represent a repeat, and the number outside of the parentheses represents how many times total you will repeat the instructions within.

Rnd 4: (1 sc in ea of the next 2 sc, 2 sc in the next st) 6 times. – 24 sc

That’s not that hard to type out – but I usually write things first, in a notebook. So I have a shorthand for this kind of circular crochet pattern that I use when doing long strings of shaping, such as in amigurumi style crochet, or designing circular things like my Spiral Sweater.

This shorthand is based on how many stitches you count out between increases. You start counting for every regular single crochet, then work the increase (inc), then start over counting again and repeat around. So Rounds 1-4 end up written like this – with the total st count at the end:

  1. 6 sc
    2. Inc every st – 12
    3. Inc on 2 – 18
    4. Inc on 3 – 24

“Inc on 2” means that you start counting regular sts (one…) then when you reach “two” you place an extra st. This would be placing an inc every other st.

DSC_0821

Inc on 2

DSC_0822.1

“Inc on 3” means you start counting regular stitches (one, two…) then when you reach “three” you place an extra st. Then starting counting over again on the next st. This would be placing an inc every 3 stitches.

DSC_0823.2

I call this notation my ami shorthand, after amigurumi of course.

BONUS: Back Loop Only Stitches

With this circle, I decided to throw in some Back Loop Only (BLO) stitches to show how it’s done on Rnd 5. So it would look like this:

  1. Inc on 4 (BLO) – 30

DSC_0824

Back loop only is exactly what it sounds like – insert your hook and make your stitch in only one of the two loops at the top of the stitch – the one in the back. This leaves the front loop free so you can work into it later, adding fun things like petals.

DSC_0825

Working BLO also leaves a pretty surface pattern from the free front loops.

Finishing Off

I took this circle up to a 60-st round total. So it would look like this written in shorthand:

Rnds 1-5 as written above
6. Inc on 5 – 36
7. Inc on 6 – 42
8. Inc on 7 – 48
9. Inc on 8 – 54
10. Inc on 9 – 60

DSC_0828

My circle now has a distinct hexagonal shape from placing the increases all aligned. I like to smooth the edges by ending my circles with a least one round of no increases. This also gives the pocket a little more depth. I shorthand this with the terminology “sc even” to indicate that you work one sc for each sc in the round, adding no stitches to the total for the round..

DSC_0829

  1. Sc even – 60

And, since we’re working continuously, that leaves us with a height difference at the end of our rounds. I finish off continuous circles with a couple of slip stitches to make a smooth edge.

DSC_0831

Sl st 2-3 sts, cut yarn and tie off.

In the next post I’ll make another (fancier) circle and then stitch the two together to form a pocket. But first, let’s go back to the Back Loop Only round.

Fun Ideas for Circular Pockets: Surface Shell Petals

DSC_0893

Since the front loops are still unworked, it’s easy to slip your hook underneath them and work something on the surface of your crochet. One of my favorite things to use these free front loops for is flower petals, such as the one in pictured here:

WildRose5

To make this type of circular pocket, crochet a flat circle entirely in the Back Loop Only so that your surface on the right side is full of free front loops. Into these front loops, you can work shells like the ones demonstrated in the previous PBT post PBT: Ruffles, Shells, and Scales:

DSC_0894

Start by working an initial single crochet into the first free front loop, then proceed to work whatever shells you think might look pretty as petals!

DSC_0895

The first two shells are *1 sc, 1 hdc, 2 dc, 1 hdc, 1 sc in the next loop, then sl st in the next lp to secure. Repeating from *.

DSC_0898

The second two shells are *sk next loop, 2 hdc, 2 dc, 2 hdc in the next lp, sk next lp, sl st in the next lp to secure. Repeating from *.

Working an entire (continuous) circle in BLO, then using shells to fill the front loops with petals, is how I made this little silk rose pocket for my Wild Rose belt…

WildRose2

And also how I made this chunky, lush rose pocket for my Garden Rose belt. As you can see, experimenting with different variables such as petal size and yarn gauge creates an amazing variety of looks even when the technique is similar!

GardenRose4

BUT WAIT. There’s more! Check out the next post in which we’ll crochet a multi-colored, non-continuous circle with more fun freeform techniques in PBT: Circle Pockets Part 2.

DSC_0890

 

Advertisements

PBT: Triangles

This post is part of a series of tutorials on how to create your own unique crochet pixie pocket belt – to read more about this series visit the Intro page.

Today’s task is: Triangles! I don’t personally use this shape much in my belts, but I have seen others do beautiful pixie belts with triangles featured. Speaking of inspiration, have I mentioned I’ve been creating a special Pinterest subsection on my crochet board just for pixie pocket belts? I have, and you should follow me. Anyway, here’s triangles!

DSC_0938

Triangle shapes can be worked either in-the-round, where you crochet your rows in a circular direction and join them before starting a new row (using increases to create points), or in regular rows, where you chain and turn to work the opposite direction after every row (this method uses decreases to shape the piece if working from the base of the shape).

Hickory6.jpg

The square pocket on “Hickory” uses back-and-forth rows with decreases placed at each end of every row to shape the triangle portion.

I personally prefer the in-the-round triangle for decorative applications, because it keeps the right side facing the entire time, which to me looks prettier. I have an in-depth photo-tutorial on in-the-round triangles in my Basic Bralette free crochet pattern, so I’ll not go over the entire thing here – please refer to that tutorial for more info! And of course, I’m using bits and scraps, so I’ll change colors every row or so.

DSC_0935

Pattern for in-the-round Triangle:

MR (Make Ring)

Rnd 1: Ch 2 (does not count as first st), (3 dc into the ring, ch 2) 3 times. Join with a sl st to the first dc. – 9 dc

Rnd 2: Ch 2, 1 dc into the same st. 1 dc in ea of the next 2 dc. In the next space, work 2 dc, ch 2, 2 dc. (1 dc in ea of the next 3 dc. In the next sp work 2 dc, ch 2, 2 dc) repeat within parentheses twice. Join with a sl st to the first dc. – 21 dc

Rnd 3: Ch 2, 1 dc in the same st. 1 dc in ea of the next 4 dc. In the next space, work 2 dc, ch 2, 2 dc. (1 dc in ea of the next 7 dc. In the next sp work 2 dc, ch 2, 2 dc) rpt within parentheses twice. 1 dc in ea of the next 2 dc. Join with a sl st to the first dc. – 33 dc

(shorthand version from here on – just continue the established pattern until your triangle is the desired size!)

Rnd 4: 11 dc, [2 dc, ch 2, 2 dc] in next space – rpt around

Rnd 5: 15 dc, [2 dc, ch 2, 2 dc] in next space – rpt around

Etc.

DSC_0936

I want to make my triangle just big enough for one side to match the top of my rectangle pocket – see where I’m going with this?

DSC_0940

So, after I’m done, I’ll  slip stitch through the top row of the triangle and the top row of the rectangle simultaneously to join them – doesn’t matter if you don’t have exactly the matching amount of stitches, ‘cause its fReEfOrM baby! So fudging it is okay. Encouraged even.

Once that’s complete, I weave in all the ends. Now I have a rectangle pocket with a cute pointed flap to cover the top. Let’s get even fancier – or as the kids these days say, extra – by using that ruffle technology I talked about earlier in the series.

DSC_0941

With some handspun orange wool, I attach with a sl st a few stitches down the side of the pocket. Using a gradation of stitch heights and working about 2-3 stitches per every stitch worked into, I make a funky ruffle down the side of the pocket, ending in a couple chain stitches before fastening off. Let’s go nuts and slip a bead on there, too. And some extra yarn bits for tassel.

Then, begin on the other side (working in the opposite direction if you want the right side to be facing) and do the other side to match. Now we’re talking.

DSC_0944DSC_0948

Another word on inspiration here : this is why it’s fun for me to choose a theme for these pieces, which are always nature-based for me.  What made me decide to add that crazy ruffle? Well, for one thing, I had just a bit of that thick wool orange yarn, and bulky handspun makes great funky accent choice. But more than that, I was thinking about the Maple tree, and the way the brightly colored leaves curl as they slowly dry. The pockets so far had bright fall-like colors, but the lines were so straightforward – circle, square, rectangle – that I needed a bit of crazy curl in the pockets to kind of represent that thought of the curly maple leaf. I wasn’t going for an exact replica of the curly leaf, just a touch of the spirit of the leaf. Does that sound crazy? Good. Because this is some artistic pixie magic we’re doing. Save the logic for the office.

DSC_0947

In the next few posts we’ll be tackling circular pockets – stay tuned!

-MF

PBT: Square Pockets

Hickory2.jpg

This post is part of a series of tutorials on how to create your own unique crochet pixie pocket belt – to read more about this series visit the Intro page.

When it comes to pouches, a square or rectangle pocket is about as easy as you can get. Squares and rectangles are just rows, back and forth, and if you can crochet you’re probably already familiar with them. Then of course there’s granny squares, which are a whole other business, but they can also be really fun in these belts. If you want a tutorial on making granny squares, check the “Part 2 Instructions” crochet portion of this free pattern on my blog.

DSC_0932

Here I’m just going to crochet a rectangle, then fold it in half and seam it up the sides to make a square envelope pouch. I might add fancier stuff later, but for now concentrate on the rectangle.

To start a row for a rectangle or square, chain the length you want, then chain a few extra depending on what size stitch you are making – chain 0 extra for sc (the last ch counts as your first st), chain 1 extra for hdc (the last 2 ch count as your first st), chain 2 extra for dc (the last 3 ch count as your first st) etc.

DSC_0919

DSC_0920

Then, work your rows back and forth, chaining as many as necessary for the turns (1 for sc, 2 for hdc, 3 for dc, etc) – until you have a square or rectangle. Easy! I made mine a little more textured and interesting by using rows of linked half-double crochet instead of regular hdc. You can find more info on linked stitches on my free Linked Double Crochet tutorial.

DSC_0922

DSC_0925

Linking stitches creates a subtle & pretty texture as well as a sturdier fabric than regular crochet.

Fold over the piece, then use crochet stitching to work through both layers at once to seam them together. Alternatively, you could thread a yarn needle with some yarn and whip stitch them together sewing-style, but I prefer the stitch method. Here I’m going to use single crochet to seam the pieces together, because I’ve decided I’m going to come back and add a funky edging later, and I’ll need something to work into easily.

DSC_0926

DSC_0928

DSC_0927

The general rule for crocheting into the edges of rows is that you’ll want as many stitches per row edge as there are chains in the turning chain for your stitch height – so for single crochet, the turning chain is 1, and you’d make 1 stitch per row edge. For hdc, the turning chain is 2, so you’d want two stitches per row edge. Keep in mind this is a GENERAL rule and it’s going to depend on your gauge and other factors – for instance, I sometimes only make 2 stitches per row side on double crochet rows, if it works better for the specific situation.

DSC_0931

Anyway, seam that puppy up whatever way you feel like. Weave in your ends, and you’re done! Easy pouch. Now to make it more interesting, see the next post.

DSC_0932

-MF

 

PBT: Belt Base

This post is part of a series of tutorials on how to create your own unique crochet pixie pocket belt – too read more about this series visit the Intro page.

Belt Base

DSC_1002

The belt base is where I usually start, using one of the main colors of yarn and essentially creating one long, skinny rectangle by stitching just a few rows onto a long base chain. This belt was started by using my 5.00 mm hook and the double chain technique – regular chaining is fine, I just prefer stitching into the double chain for longer projects.

Make a base chain long enough to wrap around the intended set of hips, and then some. You will most likely lose an inch or two during the process of completing the belt due to the tight slip stitching added later.

Then, add a few rows of stitching to create the belt width. I did a row of double crochet, then turned and did a row of (dc, ch 1, sk next st) repeats to add visual interest. Next, I turned and worked a single crochet in each stitch and chain space (so that I have something solid to slip stitch into at the top of the belt in the later steps).

DSC_0979

I got creative here and decided I wanted the middle of the back of the belt to have a little point to it, so I placed a 3-stitch decrease there in each row.

DSC_0980

Once you have your desired width, prepare to rotate and work into the end/side of the belt.

DSC_0984

I create a pointed triangle shape by working three tall connected stitches across the belt ends. These are trtr (triple treble) stitches, which are equivalent to 6 chain stitches, so I chain 6 (counts as first tr tr), then insert the hook into the middle of the side of the belt. *YO 4 times and draw up a loop from under, then draw through 2 loops on the hook 4 times, leaving the last loop on the hook.

Repeat from * working into the other end of the belt side, then YO and draw through all loops on the hook. For a great explanation on working tall stitches, see this post on Moogly Blog.

DSC_0985

Once you have your pointed end for the ties, you can stitch up a crocheted tie by making some kind of cord (see my guide to crochet cords) or you can leave it and attach a fabric, ribbon, or yarn tie later. Either way, once you are done with this area, slip stitch down the side of the last trtr toward the bottom of the belt. Next we’ll be working into the bottom of the chain foundation.

DSC_0986

For the tattered skirt portion, we’ll need something to attach the fabric strips. You can definitely just put the strips through the stitches themselves if you want, but I like to crochet on a couple layers of loops for attaching the fabric. I’ll start by chaining 7, then skipping about three stitches, then attaching with a single crochet in the next st. I repeat this across the first (almost) half of the belt.

DSC_0989

Around the pointed part, I want there to be more fabric. So I only skip about 1 stitch in between each loop to create this effect later.

DSC_0991

Then, finish up the second half of the belt with regularly spaced loops. Once you reach the other side, create another three-trtr triangle. Here I decided to add a crochet tie, so I chain a length and then slip stitch back down.

DSC_0992

DSC_0994DSC_0996

I’m almost out of my ball of plain orange, so I’m going to consider this scrap busted, and with just enough to finish the belt base – mission accomplished!

DSC_1000

Orange scrap, we hardly knew ye. Just kidding, we’ve known ye for about 5 years.

My (semi)-finished belt base here measures about 38-39 inches, unstretched, not including the string tie. As you can see, it curves a little naturally due to the decreases placed at the center.  It’ll follow the curve of the hips a little nicer that way, and the extra loops at the increase point will form a fuller skirt there once I place the strips of fabric – I am aiming for a bustle effect with this one.

DSC_1002

But, I am also going to add a second layer of loops, just so I don’t overload the first layer and make it too bulky. With another scrap, I’ll start by attaching my yarn a ¼ of the way across – I only want this layer to be on the back half of the belt.

DSC_1460.JPG

Here I am chaining 7 and slip stitching in each chain loop. When I get to the center, I add an extra loop there to maintain the point by slip stitching in the same loop. Then, 8 more chain 7 loops across the other part of the belt, stopping once I have about ¼ of the way left. Second loop layer added, and another little scrap busted!

DSC_1461.JPGDSC_1464.JPGDSC_1465.JPG

Ta- DA! That’s it for the belt base. This is the piece that you will attach the pockets to later, and can continue to build with color and texture according to your whim.

DSC_1467.JPGDSC_1466.JPG

The belt base is a great place to start experimenting with different stitch patterns – here are some examples from other belts I’ve done.

 

Lavender3.jpg

“Lavender” uses something like a granny square style stitch.

Nightshade5.jpg

I used a more open mesh stitch on “Nightshade” and then wove ribbon yarn through.

Hickory6.jpg

Simple, straightforward double crochet works too!

If you have any questions about the tutorial so far or the techniques I’m using, please leave a comment! I love to talk shop. ❤

-MF

 

 

 

PBT: Gathering Materials

This post is part of a series of tutorials on how to create your own unique crochet pixie pocket belt – too read more about this series visit the Intro page.

Choosing Materials

DSC_0789.JPG

 

These Pixie Belts can use a great variety of materials (great for craft supply hoarders) – here are just a few of the things I like to use:

  • Scrap yarns – It’s a great project for using up the really small bits!
  • Novelty yarns – it’s also a great project for using up those outrageous novelty yarns you bought before you knew better (or if you’re like me, knew better and didn’t care. Sequin yarns FTW!!)
  • Handspun yarn – I may be (slightly) biased as a spinner, but I just don’t think you can beat the look of handspun yarn added to these belts as an accent – it adds a ton of character and texture, and better yet, uses up small amounts of this expensive luxury material but still produces something with a lot of visual impact.
  • Beads & bells – must be big enough to string onto your yarn, or you can use crochet thread to string them on and carry them along on a double thread
  • Scrap fabrics : silks, gauze, velvets, etc – You’ll be cutting or tearing them into strips for the fringed skirt part of the belt, so you’ll want fairly long pieces
  • Buttons for fastening pouches / belt.

You could also incorporate any number of other things including felt shapes, home decor trim, leather scraps, ribbon.. go crazy!

DSC_0799.JPG

Other Materials & Tools

3.5 or 3.75 hook & 5.0 mm or 5.5 mm hook
Locking stitch markers
Several sizes of tapestry or yarn needle
Scissors
Tape Measure

Color Scheme & Theme

If you have a lot of materials to choose from, you’ll need to pick out what sort of colors you want to use and the materials that will go with it. As I’ve said before, I like doing a theme. You don’t have to. You don’t even really have to choose anything – you can just grab whatever you like in the moment. FrEeFoRm bAbY!

I love using thrift store silks for the skirting of these belts, for several reasons – they are cheap, they look amazing, they tear easily, and they have a light soft swing that makes them a dream to wear. I also utilize lightweight gauze and sometimes light/medium weight muslin or linen/cotton fabrics if I want the give the skirt a fuller look. Whatever material you use, you should be able to rip into strips if you want the really tattered look.

Stretchy, thick or complicated weave material can be used too, like velveteen or jersey knit, but you’ll have to cut them and not rip them.

Here’s a selection of fabrics that I’m choosing from. I’ve been wanting to use this orange for a long time, so that’s what I’ll be working with now. Time to chop!

DSC_0775.JPG

Separate the biggest pieces from whatever seams happen to be in the garment. Doesn’t have to be pretty, you’ll be tearing this up later anyway. Mine has a jersey underlayer I’ll be separating the silk from -I’ll save that for later or maybe use it for this belt too.

DSC_0779.JPG

I left a few seams on, which I can cut through when making the strips later.

DSC_0780.JPG

Now, time to choose a yarn color scheme! This is my favorite part, possibly. First, I know I need oranges since that’s going to be the dominant color in the scheme. I also pick a few greens to match the green in the silk, then purple to set off the other two colors – orange, green, and purple form a split-complementary color scheme.

DSC_0782.JPG

DSC_0791.JPG

I also want to use some of this awesome handspun yarn that I’ve had forever – it has complex oranges as well as some blues and browns.

DSC_0789.JPG

So, I pick a few stray balls of blue to match the handspun accent colors, too. Voila! Colors selected. I probably won’t use every yarn that I chose, I rarely do – but it’s helpful to have a good selection prepared.

So now I have a nice pile of little scraps to use, plus at least one larger ball of one of the dominant colors to use for the main belt base, as well as some handspun yarn to feature in a pocket. I’m also going to add in a yarn I frequently use in the belts – a netted ribbon yarn that is great to use for the ties as it is sturdy and already has openings to fasten onto buttons! More on that later.

DSC_0792.JPG

But wait, there’s more!

Choose some buttons, bells, and beads. Again, it’s unlikely that I’ll use everything I choose, but I like to have my options on hand.

DSC_0799.JPG

You can choose only beads/bells with holes big enough to string on the yarn itself, or you can grab some crochet or tatting thread to string through and crochet as a second strand along with your yarn.

DSC_0801.JPG

Once you have everything selected, you are ready to roll! I stash my materials in a spare basket to keep them all in one handy place.

DSC_0802.JPG

Baskets are bae

Oh, and you’ll want to grab some hooks, of course. I use a 5.0 mm and a 3.5 or 3.75 mm hook for these belts, but you can use whatever you are comfortable with – but do keep a larger one and a smaller one. Here they are, looking demure. But they’re just biding their time..

DSC_0806.JPG

Ready for the next phase? Check out the Intro page for a list of all the posts in the series so far, and be sure to follow me here on my blog or on Facebook!

-MF

 

 

 

 

 

 

 

 

 

 

 

 

 

Pixie Belt Tutorial: Intro

PBTCover

In response to many requests, I will be starting a series of tutorial posts for the freeform pixie pocket skirt belts (is that enough words for that?) that I’ve been making for a few years now. These crocheted belts feature utility belt style pockets in whimsical colors and shapes and a tattered fabric fringe skirt – they are great scrapbusters and excellent practice at creating different shapes and textures. And one of my favorite things to make!

The one pictured on me here was the first one I ever made, and I was immediately addicted – mixed media, playing with color, using up spare material, cute AND useful.. sounds good right?

FaerieQueen2.jpg

Titania1.jpg

“Titania”

Once I had made a few more and started posting pictures of them here, I got requests for a pattern. The challenge is that I do these belts differently each time – so figuring out a pattern or a tutorial that doesn’t lock them down into sameness took some thought.

“Nightshade”

So I ruminated on it, and finally decided that a series of technique tutorials, based around the creation of an example belt, would be best. I aimed to explain these techniques well enough for even beginners to experiment with these fun shapes and textures, and for everyone to feel confident enough to let loose and have fun with it.

“Mulberry”

This tutorial series will cover material selection, basic shapes needed to create the pockets and the belt, some textural techniques, instructions on attaching the pockets, and how to make the fabric skirt fringe – and anything else I can think of! The links to the post series will appear in order below:

If you want to stay up to date on this series as it is posted, remember to follow my blog or like & follow my Facebook page!

UPDATE! This pattern is now listed on Ravelry, so if you are a Raveler you should link up your projects made from this tutorial – I’d love to see them 😀

“Kelp”

In the next section, I’m going to go through choosing the materials for the belt. I use a theme for mine, as you may have noticed: plants and trees. I love being inspired by nature, and choosing a theme like this helps guide me when I’m not sure what sort of look I want to add to the piece. More on that later.

For more inspiration, check out the Pixie Belt section on my Pinterest crochet board.

“Hemlock”

“Hickory”

Whether you choose a theme or not, remember this is a freeform project. It’s an exercise in letting go of control, of not being married to an intended outcome. Let it be zen, spontaneous, and fun! I call these belts my “chaos therapy” projects.

“Lavender”

“Shepherd’s Purse”

That’s it for the Intro – I can’t wait to get started on this project and hopefully to see what you all make!

-MF

Feather & Scale Halter Top

I could not be more thrilled to be rolling out my newest design today, brought to you in part by the willingness of my lovely friends to dress up in crazy costumes in the middle of the Indiana summer heat for me 😉

FSCover3.jpg

May I present, for your edification and delight,the Feather & Scale Halter Top pattern? I dreamed up this design back in January, inspired by scale mail festival and costume clothing pieces, and have been diligently plugging away on the details all summer!

The crochet pattern PDF is available for purchase in my Etsy Shop or Ravelry Pattern Store for 5.95 USD (but there’s a big sale still going on right now, so you can get it for cheaper than that if you hurry before August 1st). Read more about this one-of-a-kind pattern below!

FSCover6.jpg

The Feather & Scale Halter Top uses fine variegated cotton blend yarn to create an eye-catching gradient of crocodile stitch scales on the outer top, with a built-in inner cup lining for coverage and support. The cross-back ties keep the weight off of the neck so you can comfortably dance & groove that feathery fringe into motion!

FSC7.jpg

Size pictured: X-Small in Schachenmayr Tahiti

With the dramatic triangle shaping to accent the body’s curves, this halter is both figure flattering and fun to wear – and the pattern is written for FIVE sizes, X-Small – X-Large (corresponding to AA/A – DD cup sizes ).

FSC17.jpg

Size Pictured: Medium in Schachenmayr Tahiti

KatyHalter1.jpg

Size pictured: X-Large in Red Heart It’s a Wrap Rainbow

The pattern is well stocked with all of the details on the techniques needed to create this unique piece, including extensive instructions on creating the crocodile stitch used for the main part of the halter – as well as precise step-by-step written instructions that correspond with nearly 100 tutorial photos! Additionally, I’ve begun to dig into developing some tutorial video skills with this one – be gentle, I’m still very much learning!

FSCover5.jpg

Materials:
3.75 mm hk
Schachenmayr Tahiti, 2 (2, 2, 3, 3) skeins – (#1 weight, 1.75 oz / 50 g per 306 yds, 99% cotton / 1% polyester)
OR
Red Heart It’s a Wrap Rainbow, 1 (1, 1, 2, 2) skeins – (#1 weight, 5.29 oz /150 g per 623 yds, 55% acrylic 45% cotton)
Scissors
Tapestry needle
6” Length of cardboard, book, or fringe maker

Sizes & Finished Measurements:
X-Small (XS): Underbust length – 15”, Cup height – 6”, Cup Size – AA/A
Small (SM): Underbust length – 17”, Cup height – 7”, Cup Size – A/B
Medium (MD): Underbust length – 19”, Cup height – 8”, Cup Size – C
Large (LG): Underbust length – 21”, Cup height – 9”, Cup Size – D
X-Large (XL): Underbust length – 23”, Cup height – 11”, Cup Size – DD

Extra Credits!: The horns worn by my green dragon top model are from Dark Pony Art, the wire wrap necklace worn by my Rainbow XL top model is from Twisted Forrest Jewelry – please check them out and support small business art!

Models: Daisey Denson, Arika Harris, Katy Sanders ❤

You have reached the portion of the pattern post where there’s just a buttload of photos! Enjoy 🙂

FSC4.jpgFSC3.jpgFSC10.jpgKatyHalter2.jpgFSC21.jpgFSCover4.jpgFSC19.jpgFSC15.jpg

FSC16.jpg

I think this one is my favorite, but it’s actually impossible to choose.

I hope you like this new design! I have done some fantasy-inspired pieces in the past, but I really cranked the staging up to 11 with this one – expect more of that in the future ❤

-MF